
Pair of R.H. Greeson Hand-Colored Lithographs or Etchings
This is a matched pair of framed works of art by artist R.H. Greeson, likely dating from the mid-20th century. The scenes depict charming, small-town American streetscapes with a focus on historical or colonial-style architecture. The top piece is titled 'Meeting Place' and the bottom piece is titled 'Country Store.' Each work shows a high level of craftsmanship, featuring fine-line detailing consistent with etching or lithography, which has been delicately hand-colored with a palette of soft greens, yellows, and earthy browns. The compositions utilize a strong play of light and shadow, particularly visible in the dappled sunlight on the roadways. Both pieces are signed by the artist in the lower right margin and titled in the lower left. They are housed in matching vintage white-painted wooden frames with dark outer edges, featuring deep green mats that provide a classic contrast. The physical condition shows some signs of age appropriate for their era; the frames exhibit minor scuffs, paint chipping, and general wear along the edges. There is a slight visible patina and potential minor foxing or acidity appearing on the paper borders near the mat edges, which is typical for vintage works on paper. The overall aesthetic is representative of the mid-century American traditionalist style, often associated with regionalist art or commemorative historical prints.
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Estimated Value
$150 - $250
Basic Information
Category
Fine Art Prints
Appraised On
March 8, 2026
Estimated Value
$150 - $250
Item Description
This is a matched pair of framed works of art by artist R.H. Greeson, likely dating from the mid-20th century. The scenes depict charming, small-town American streetscapes with a focus on historical or colonial-style architecture. The top piece is titled 'Meeting Place' and the bottom piece is titled 'Country Store.' Each work shows a high level of craftsmanship, featuring fine-line detailing consistent with etching or lithography, which has been delicately hand-colored with a palette of soft greens, yellows, and earthy browns. The compositions utilize a strong play of light and shadow, particularly visible in the dappled sunlight on the roadways. Both pieces are signed by the artist in the lower right margin and titled in the lower left. They are housed in matching vintage white-painted wooden frames with dark outer edges, featuring deep green mats that provide a classic contrast. The physical condition shows some signs of age appropriate for their era; the frames exhibit minor scuffs, paint chipping, and general wear along the edges. There is a slight visible patina and potential minor foxing or acidity appearing on the paper borders near the mat edges, which is typical for vintage works on paper. The overall aesthetic is representative of the mid-century American traditionalist style, often associated with regionalist art or commemorative historical prints.
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