Mixed-media work on paper in the manner of Mike Omoighe

This artwork appears to be a mixed-media composition on paper, presented in a portrait orientation within a gold-toned frame and a dark blue mat. The composition features stylized, elongated human-like silhouettes that appear to be moving toward a bright, central circular light source or vortex. The color palette is dominated by cerulean and indigo blues, contrasted with warm ochre, sienna, and muted salmon tones. The application of medium appears consistent with pastel, charcoal, or gouache, showing visible textural strokes and blending. While the owner identifies this piece as being by Mike Omoighe and provides dimensions of 29 x 21, no signature or date is clearly legible in the provided image. The work is stylistically consistent with Contemporary West African art, specifically echoing the dreamlike, semi-abstracted figurative style associated with Omoighe's body of work. The framing appears modern, and the artwork shows no obvious signs of physical damage such as tearing or water staining, though there are visible reflections on the glass and some slight rippling to the paper consistent with moisture or mounting. Without physical inspection or a visible signature, this attribution remains a hypothesis based on stylistic similarities and user-supplied notes.

Based on my visual analysis of the provided image, this mixed-media work on paper exhibits stylistic hallmarks consistent with the Late Mike Omoighe’s approach to semi-abstracted figurativism. Per the user's submission, the piece is attributed to Omoighe and measures 29 x 21 inches. I can observe a palette and composition—specifically the rhythmic, elongated silhouettes—that align with Contemporary West African art markets. However, I cannot verify the signature or the physical integrity of the paper through a photograph alone. The slight rippling noted suggests the paper is not fully adhered to a backing, which is common for this medium but requires physical inspection to rule out moisture damage. The value of $1,500 - $3,500 is a hypothesis based on the assumption that the attribution is correct and the work is a unique piece by the artist. This estimate reflects the mid-range for works of this scale within the secondary market for Nigerian modernism. If this work were determined to be 'in the style of' the artist or a later reproduction without a verifiable signature, the market value would likely drop significantly to a decorative range of $200 - $400. To move beyond this working assumption, a physical examination by a specialist in West African contemporary art is necessary to inspect for a signature hidden by the mount and to verify the application of the medium. Documentation regarding provenance or a certificate of authenticity from the artist's estate would be the primary requirement to support this valuation for insurance or resale purposes. Market demand for Omoighe's work remains stable, primarily driven by collectors of the Zaria School influences.