
Multiple Exposure Surrealist Figurative Photographic Portfolio
A collection of six monochrome (black and white) photographic prints displayed in a grid, featuring surrealist figurative studies. The imagery focuses on the human form, specifically female subjects, utilizing multiple exposure techniques or long-exposure silhouettes to create kaleidoscopic, multi-limbed, and ghost-like apparitions. The compositions utilize high-contrast lighting (chiaroscuro) with bright highlights on the skin and deep, velvety blacks in the background. Several frames suggest movement and dance, with fabric elements draped over the figures to add texture and fluid lines. The style is reminiscent of mid-20th-century avant-garde photography, possibly late 1940s to 1960s, drawing influence from artists like Man Ray or Philippe Halsman. Each print appears to be on a semi-matte or satin photographic paper. Notable features include solarized-like outlines and sharp tonal transitions. While no specific maker's marks are visible on the face, the consistency in lighting and technique indicates a cohesive body of work by a skilled artist. Condition appears fair to good; there is some visible curling at the edges and surface glare suggesting they are physical prints rather than digital files. The craftsmanship is high, showing expert control over lighting and darkroom manipulation.
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Estimated Value
$400 - $800
Basic Information
Category
Fine Art Photography
Appraised On
March 23, 2026
Estimated Value
$400 - $800
Additional Details Provided By Owner
User Provided Information
Unknown artist, untitled artwork
Item Description
A collection of six monochrome (black and white) photographic prints displayed in a grid, featuring surrealist figurative studies. The imagery focuses on the human form, specifically female subjects, utilizing multiple exposure techniques or long-exposure silhouettes to create kaleidoscopic, multi-limbed, and ghost-like apparitions. The compositions utilize high-contrast lighting (chiaroscuro) with bright highlights on the skin and deep, velvety blacks in the background. Several frames suggest movement and dance, with fabric elements draped over the figures to add texture and fluid lines. The style is reminiscent of mid-20th-century avant-garde photography, possibly late 1940s to 1960s, drawing influence from artists like Man Ray or Philippe Halsman. Each print appears to be on a semi-matte or satin photographic paper. Notable features include solarized-like outlines and sharp tonal transitions. While no specific maker's marks are visible on the face, the consistency in lighting and technique indicates a cohesive body of work by a skilled artist. Condition appears fair to good; there is some visible curling at the edges and surface glare suggesting they are physical prints rather than digital files. The craftsmanship is high, showing expert control over lighting and darkroom manipulation.
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