Abstract Mixed Media Painting with Eyes by Jennifer Haessly

This is a vertical abstract mixed media composition attributed to contemporary artist Jennifer Haessly. The work is executed on a rectangular paper substrate and features a dense, monochromatic palette dominated by black, charcoal, and white, with selective accents of ochre, mustard yellow, and dull orange. The artist utilizes expressive, gestural brushwork and palette knife applications to create a chaotic, layered surface. A recurring motif of stylized, wide eyes is scattered throughout the upper and middle portions of the piece, appearing emerging from the dark, shadowy background. The lower section of the work introduces a textured, collage-like element or heavy impasto with a rugged, crystalline appearance in shades of gray, white, and yellow. The construction suggests a multifaceted layering technique typical of modern expressionism. Condition-wise, the work is unframed and appears to be secured with a black clamp at the top; the edges show minor irregularities consistent with manual handling. There is no visible signature on the front, though it is associated with the artist Jennifer Haessly. The style reflects 21st-century abstract expressionism with a focus on dark, psychological themes.

I have virtually examined this vertical mixed-media work attributed to contemporary artist Jennifer Haessly. The piece demonstrates a strong command of 21st-century abstract expressionism, utilizing a monochromatic palette with strategic ochre accents. The 'all-seeing' motif through stylized eyes creates a compelling psychological depth, while the textural impasto in the lower register suggests sophisticated material handling consistent with contemporary experimental techniques. From this visual inspection, the condition appears excellent, though the unframed nature and use of clamps for display pose minor risks to the paper substrate’s integrity over time. In terms of marketability, Haessly is an emerging-to-mid-career artist whose work appeals to collectors of dark, emotive abstraction. Similar works of this scale and complexity within the contemporary mixed-media market typically fetch mid-hundred-dollar figures at boutique auctions or primary gallery sales. Value is bolstered by the popularity of portrait-adjacent abstraction, but limited by the lack of a visible signature and the absence of a frame. For a definitive valuation, I must note that an image-based examination cannot confirm the chemical composition of the pigments or the weight of the paper. Full authentication would require a physical inspection to verify any verso signatures or markings, review of a provenance trail or original bill of sale from the artist/gallery, and tactile assessment of the collage elements. If verified as a primary original work with proper documentation, the value would sit comfortably at the higher end of the provided range.