Original Color Model Animation Character Sheet for 'Jungle Jangle'

This is an original hand-painted animation production color model sheet featuring a rhinoceros and a stylized indigenous character. The sheet is painted on a vibrant orange background on paper or thin board, approximately 10x12 inches, though the exact dimensions are obscured by the matting. The artwork features extensive technical notations in ink, including color codes and lead lines (e.g., #20, #30, #10, HR-A, 85-A) used by the ink-and-paint department to ensure consistency across frames. The style is characteristic of late 1960s television animation, specifically identifying the 'Abbott & Costello' series. The character designs utilize flat, saturated colors and bold black outlines. The rhinoceros is depicted in grey tones, while the human character features a brown skin tone, green grass skirt, and a bone necklace. The piece is titled in gold ink on the lower right of the mat: 'ORIGINAL CHARACTER SHEET (COLOR SPEC.) ABBOTT & COSTELLO FILM "JUNGLE JANGLE" BP. 129.' It is housed in a contemporary silver-toned frame with a dark khaki-colored mat. Visible condition appears fair to good; there are some small spots or foxing visible in the upper center and right portions of the orange field, as well as slight waviness to the paper, suggesting it was once removed from a studio binder or peg system. There is a faint graphite signature or mark visible on the lower right of the orange sheet, which may be an animator's or production manager's initials.

I have completed a visual examination of the original color model character sheet for the Abbott & Costello animated series (1967-1968), specifically for the episode 'Jungle Jangle'. The piece is an authentic production-used artifact from the Hanna-Barbera/RKO-Jomar partnership. Visual indicators such as the technical hand-inked color notations (#20, #30, etc.) and the characteristic late-60s saturated gouache application support its authenticity as a reference tool for the ink-and-paint department. The condition is observed to be 'fair to good.' Notable foxing and light staining are visible in the upper orange field, and the slight waviness of the paper suggests historical exposure to humidity or improper storage before framing. While the silver-toned frame is contemporary, the matting adds decorative value, though it covers the edges where production peg holes would typically verify the paper source. Market demand for 1960s television animation remains stable, though Abbott & Costello materials generally command lower premiums than flagship Hanna-Barbera titles like 'The Flintstones.' This piece is valued higher than a standard production cel due to its rarity as a technical reference sheet and the inclusion of multiple characters. Limitations of Image-Based Appraisal: This valuation assumes the paint is original gouache and not a high-quality reproduction. A physical inspection is required to verify the absence of 'vinegar syndrome' or active mold within the foxing spots. Full authentication would require removing the piece from the frame to inspect the verso for studio stamps and to confirm the presence of ACME/Oxberry peg holes. Provenance documentation from a former studio employee would further solidify its market position.