MCM Framed Print by John H. Eastman

This item is a framed print, likely a lithograph or serigraph, by artist John H. Eastman, titled "MCM" and dated 1975. The artwork features a vibrant abstract composition dominated by flowing forms in a spectrum of colors including red, orange, pink, yellow, green, blue, and violet. The composition also incorporates stylized profiles of three female faces on the right side, appearing in a profile view against a dark background. The print is presented with a wide yellow mat and housed within a silver-toned metal frame. Visible characteristics suggest the framed dimensions are approximately 22x29 inches, based on the provided scale information. The print is signed by the artist and numbered 230/300, suggesting a limited edition. The style aligns with the Pop Art movement and the mid-1970s aesthetic, characterized by bold colors and stylized figures. Surface imperfections such as scratches or scuffs are visible on the frame and the glazing. The overall condition appears consistent with its age, likely exhibiting some wear and tear commensurate with its age and handling. The craftsmanship of the print itself appears to be of a good standard, showcasing the artist's use of color and form effectively. No specific maker's marks or stamps on the print itself are discernible from the image, aside from the artist's signature and edition number.

Based on my examination of the images provided, this framed print, titled "MCM" by John H. Eastman, is a compelling example of 1970s Pop Art. The piece is signed, dated 1975, and numbered 230 out of a limited edition of 300, which contributes to its collectibility. The vibrant, multi-colored abstract composition featuring stylized female profiles is characteristic of the era's aesthetic. The overall condition appears fair for its age, though I note visible scratches and scuffs on the silver-toned metal frame and glazing. The print itself seems well-preserved, with strong colors. Market comparables for signed, limited edition prints by John H. Eastman from this period typically fall within a modest range. While the artist has a following, he is not as widely known as some of his Pop Art contemporaries, which tempers the value. The primary factors influencing this appraisal are the limited edition size, the artist's signature, and the strong visual appeal of the work, balanced against the noted condition issues of the frame and the artist's secondary market standing. A significant limitation of this appraisal is that it is based on images alone. A physical inspection is required to confirm the medium (lithograph vs. serigraph), assess the print's condition more closely for any foxing, fading, or paper damage, and to fully authenticate the signature. Without provenance or a certificate of authenticity, the signature's verification remains provisional.