Mid-Century Brutalist Metal Tree and Birds Wall Sculpture
Fine Art / Mid-Century Modern Decorative Arts

Mid-Century Brutalist Metal Tree and Birds Wall Sculpture

This is a large-scale Brutalist-style wall sculpture depicting a gnarled bonsai or cypress-style tree with a flock of birds in various stages of flight. The piece is constructed from torch-cut sheet metal, likely copper or brass with steel elements, featuring a characteristic heavy brazing technique. The coloration is a mix of natural metallic hues including dark earthy browns, scorched blacks, and verdigris-tinted greens, achieved through heat treatment and chemical patination. The construction involves layered metal silhouettes welded together to create a three-dimensional effect. The central tree trunk is thick and textured, leading to jagged, horizontally oriented branches that support several birds, while others are cantilevered away from the main body to suggest movement. The overall style is reminiscent of the 1960s and 1970s Brutalist movement, specifically in the manner of Curtis Jere or similar artisan studios. The condition appears fair to good; there is visible surface oxidation and dust accumulation consistent with age. Some of the thinner bird wings may show slight bending or structural fatigue at the weld points. No visible maker’s mark is present in the image, but the craftsmanship suggests a mass-produced boutique art piece from the mid-to-late 20th century.

Estimated Value

$450 - $650

Basic Information

Category

Fine Art / Mid-Century Modern Decorative Arts

Appraised On

February 8, 2026

Estimated Value

$450 - $650

Item Description

This is a large-scale Brutalist-style wall sculpture depicting a gnarled bonsai or cypress-style tree with a flock of birds in various stages of flight. The piece is constructed from torch-cut sheet metal, likely copper or brass with steel elements, featuring a characteristic heavy brazing technique. The coloration is a mix of natural metallic hues including dark earthy browns, scorched blacks, and verdigris-tinted greens, achieved through heat treatment and chemical patination. The construction involves layered metal silhouettes welded together to create a three-dimensional effect. The central tree trunk is thick and textured, leading to jagged, horizontally oriented branches that support several birds, while others are cantilevered away from the main body to suggest movement. The overall style is reminiscent of the 1960s and 1970s Brutalist movement, specifically in the manner of Curtis Jere or similar artisan studios. The condition appears fair to good; there is visible surface oxidation and dust accumulation consistent with age. Some of the thinner bird wings may show slight bending or structural fatigue at the weld points. No visible maker’s mark is present in the image, but the craftsmanship suggests a mass-produced boutique art piece from the mid-to-late 20th century.

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