Abstract Acrylic Forest Study
This contemporary abstract painting is executed in acrylic paint on a white DIN A4 paper substrate (approximately 210 x 297 mm). The composition features a repeating grid-like pattern of six stylized, tree-like forms arranged in two horizontal rows. Each form consists of a thick, vertical black trunk created with heavy impasto-like brushstrokes, topped by a textured, circular red foliage crown. The background is a vibrant mix of horizontal blue and maroon/red washes that vary in transparency, allowing the white of the paper to peek through occasionally. The application of paint is expressive and tactile, particularly in the red 'tops' which show significant physical texture and built-up pigment. There are no visible signatures or dates on the front of the work. The condition shows minor buckling of the paper substrate, typical for water-based media on paper without archival mounting. The style is modern and experimental, likely dating to the late 20th or early 21st century. The colors are deeply saturated, creating a high-contrast visual effect against the dark trunks. The piece exhibits a raw, gestural quality indicative of a study or an expressive contemporary workshop piece.
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Estimated Value
$45–$85
Basic Information
Category
Fine Art / Contemporary Painting
Appraised On
April 26, 2026
Estimated Value
$45–$85
Additional Details Provided By Owner
User Provided Information
Acryl DIN A4
Item Description
This contemporary abstract painting is executed in acrylic paint on a white DIN A4 paper substrate (approximately 210 x 297 mm). The composition features a repeating grid-like pattern of six stylized, tree-like forms arranged in two horizontal rows. Each form consists of a thick, vertical black trunk created with heavy impasto-like brushstrokes, topped by a textured, circular red foliage crown. The background is a vibrant mix of horizontal blue and maroon/red washes that vary in transparency, allowing the white of the paper to peek through occasionally. The application of paint is expressive and tactile, particularly in the red 'tops' which show significant physical texture and built-up pigment. There are no visible signatures or dates on the front of the work. The condition shows minor buckling of the paper substrate, typical for water-based media on paper without archival mounting. The style is modern and experimental, likely dating to the late 20th or early 21st century. The colors are deeply saturated, creating a high-contrast visual effect against the dark trunks. The piece exhibits a raw, gestural quality indicative of a study or an expressive contemporary workshop piece.
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