
Original Watercolor Painting of an Old Damascus Streetscape
This is an original watercolor and ink painting on paper, depicting a narrow historical street likely located in the Old City of Damascus, Syria. The composition features traditional Levantine architecture, characterized by 'Mashrabiya' (projecting oriel windows with wooden lattice-work), stone archways with alternating light and dark voussoirs (ablaq style), and intricate timber-framed upper stories. The palette consists of earthy ochres, soft greys, and browns, contrasted with a vibrant blue sky and lush green cascading foliage with floral accents. The artist has used a fine-line ink technique to define the architectural details and chaotic overhead wiring, overlaid with loose watercolor washes to create shadows and atmospheric depth. The work is signed and dated in the lower left corner (appearing to read 2005 or similar). The paper is mounted within a neutral-toned cream mat board. Condition appears excellent with no visible foxing, fading, or moisture damage, showing crisp edges and bright pigments. The craftsmanship reflects a skilled hand in architectural rendering and perspective, capturing the dense, layered history of Middle Eastern urban design.
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Estimated Value
$150-300
Basic Information
Category
Fine Art - Original Watercolor Painting
Appraised On
February 16, 2026
Estimated Value
$150-300
Item Description
This is an original watercolor and ink painting on paper, depicting a narrow historical street likely located in the Old City of Damascus, Syria. The composition features traditional Levantine architecture, characterized by 'Mashrabiya' (projecting oriel windows with wooden lattice-work), stone archways with alternating light and dark voussoirs (ablaq style), and intricate timber-framed upper stories. The palette consists of earthy ochres, soft greys, and browns, contrasted with a vibrant blue sky and lush green cascading foliage with floral accents. The artist has used a fine-line ink technique to define the architectural details and chaotic overhead wiring, overlaid with loose watercolor washes to create shadows and atmospheric depth. The work is signed and dated in the lower left corner (appearing to read 2005 or similar). The paper is mounted within a neutral-toned cream mat board. Condition appears excellent with no visible foxing, fading, or moisture damage, showing crisp edges and bright pigments. The craftsmanship reflects a skilled hand in architectural rendering and perspective, capturing the dense, layered history of Middle Eastern urban design.
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