Edna Bleier, 'Topis Eve and Adam', Limited Edition Serigraph

This is a limited edition modernist print by artist Edna Bleier, dated 1980. The artwork features two vertical, arched panels reminiscent of Gothic stained-glass windows or cathedral portals. The subject matter, titled 'Topis Eve and Adam', utilizes a high-contrast, grainy aesthetic that blends photographic and illustrative elements, likely created via serigraphy (silkscreening). The left panel is composed of deep violet, magenta, and white tones, while the right panel utilizes shades of cobalt blue, light blue, and white. The imagery depicts stylized classical or religious figures embedded within ornate architectural backgrounds. The print is executed on heavy cream-colored art paper with generous margins. Notably, the piece is pencil-signed by the artist in the lower right corner as 'Edna Bleier '80', titled 'Topis Eve and Adam' in the center, and numbered '14/15' on the left, indicating a very small, exclusive print run. The condition appears to be excellent for its age, with sharp edges and vibrant pigment retention, showing only minor signs of handling at the very edges of the paper. The technique reflects a mid-to-late 20th-century preoccupation with reinterpreting classical motifs through bold, graphic processes.

I have virtually examined this serigraph titled 'Topis Eve and Adam' by Edna Bleier, dated 1980. The work demonstrates high-level production quality typical of late-modernist serigraphy, featuring excellent registration and vibrant saturation of the violets and cobalt blues. The condition appears to be 'Fine' to 'Near-Mint,' with crisp corners and no visible evidence of foxing or UV-related fading on the cream-colored paper. The extremely small edition size of only 15 prints (this being 14/15) significantly enhances its rarity, as limited runs under 25 are generally more sought after by niche collectors of 20th-century graphic arts. The modernist-gothic aesthetic fits into a specific secondary market involving Judaica or ecclesiastical-influenced art of the period. However, Bleier’s market presence is currently limited to regional auction results rather than major international houses, which caps the valuation. Value is driven by the technical execution and the scarcity of this specific edition. Note that a definitive assessment of authenticity via digital image is impossible; I am assuming the pencil signature and numbering are authentic based on stroke consistency. A full authentication would require an in-person physical inspection to verify the paper's watermark, measure the tactile ink deposit of the silkscreen layers, and review any existing provenance or gallery labels on the original frame's verso. Scientific acidity testing of the paper and examination under UV light would also be necessary to rule out restoration or repairs hidden in the high-contrast imagery.