Biomorphic Fluidic Abstraction Study
This is an original pencil/graphite drawing on white paper, oriented horizontally in the provided image. The work exemplifies biomorphic fluidic abstraction, characterized by organic, flowing shapes that morph into recognizable figures. Within the composition, two distinct canvases (toiles) are depicted: one illustrating a figure of a smoker and another featuring an elephant figure. The middle and background are saturated with fluid, curvilinear lines that transition into multiple hidden faces and eyes upon closer inspection (pareidolia), a hallmark of surrealist-leaning abstract art. The linework varies from fine, light contours to more densely hatched areas that provide depth and shadow. The piece shows signs of being an active study or a page from a sketchbook, with visible overlapping planes and structural guidelines. The condition appears to be fair; there are minor creases near the edges of the paper and slight smudging inherent to soft graphite mediums. No visible signatures or dates are present on the front of the work. The style suggests a contemporary artist or student exploring automatic drawing techniques and complex visual layering, blending representational elements with surreal fluidity.
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Estimated Value
$450 - $700
Basic Information
Category
Fine Art - Contemporary Drawing
Appraised On
March 7, 2026
Estimated Value
$450 - $700
Additional Details Provided By Owner
User Provided Information
Dessin graphite, deux toiles d’une abstraction biomorphique, une un éléphant et la première un fumeur, puis le second plan est constitué de fluide faisant sortir des v isages sur la seconde perception, ça serait de l’abstraction biomorphique fluidique
Item Description
This is an original pencil/graphite drawing on white paper, oriented horizontally in the provided image. The work exemplifies biomorphic fluidic abstraction, characterized by organic, flowing shapes that morph into recognizable figures. Within the composition, two distinct canvases (toiles) are depicted: one illustrating a figure of a smoker and another featuring an elephant figure. The middle and background are saturated with fluid, curvilinear lines that transition into multiple hidden faces and eyes upon closer inspection (pareidolia), a hallmark of surrealist-leaning abstract art. The linework varies from fine, light contours to more densely hatched areas that provide depth and shadow. The piece shows signs of being an active study or a page from a sketchbook, with visible overlapping planes and structural guidelines. The condition appears to be fair; there are minor creases near the edges of the paper and slight smudging inherent to soft graphite mediums. No visible signatures or dates are present on the front of the work. The style suggests a contemporary artist or student exploring automatic drawing techniques and complex visual layering, blending representational elements with surreal fluidity.
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