
Art Glass Ovoid Vase with Black, White, and Gold Aventurine Splatter
This is a hand-blown art glass vase featuring a contemporary ovoid or teardrop shape with a tapered neck and flat rim. The decorative technique utilizes an encased 'splatter' or macchia design. The base layer appears to be a solid black glass that provides a high-contrast background for elongated, organic white frit spots. Interspersed within these white elements are distinct inclusions of gold aventurine (copper-flecked glass), which add a shimmering, metallic quality and elevated craftsmanship to the piece. The vase has a smooth, high-gloss polished finish and thick walls, suggesting a high-quality leaded or heavy soda-lime glass construction. The pattern is dense and vertically oriented, stretching slightly toward the neck during the blowing process. There are no visible maker's marks or signatures in the photograph, though the style is consistent with mid-to-late 20th-century Murano glass or contemporary studio glass movements. The condition appears excellent with no visible chips, cracks, or surface abrasions, maintaining a strong luster. The rhythmic distribution of the gold flecks indicates deliberate placement by a skilled gaffer rather than random application.
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Estimated Value
$450 - $650
Basic Information
Category
Art Glass / Decorative Collectibles
Appraised On
January 7, 2026
Estimated Value
$450 - $650
Item Description
This is a hand-blown art glass vase featuring a contemporary ovoid or teardrop shape with a tapered neck and flat rim. The decorative technique utilizes an encased 'splatter' or macchia design. The base layer appears to be a solid black glass that provides a high-contrast background for elongated, organic white frit spots. Interspersed within these white elements are distinct inclusions of gold aventurine (copper-flecked glass), which add a shimmering, metallic quality and elevated craftsmanship to the piece. The vase has a smooth, high-gloss polished finish and thick walls, suggesting a high-quality leaded or heavy soda-lime glass construction. The pattern is dense and vertically oriented, stretching slightly toward the neck during the blowing process. There are no visible maker's marks or signatures in the photograph, though the style is consistent with mid-to-late 20th-century Murano glass or contemporary studio glass movements. The condition appears excellent with no visible chips, cracks, or surface abrasions, maintaining a strong luster. The rhythmic distribution of the gold flecks indicates deliberate placement by a skilled gaffer rather than random application.
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