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Salvador Dalí, New York Stock Exchange from the 'Our Historical Heritage' Series

Submitted photo of Salvador Dalí, New York Stock Exchange from the 'Our Historical Heritage' Series
Photo submitted by the user — not generated by AI

AI Estimated Value

Not an official valuation

$4,000 - $6,500

AI estimate as of January 10, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

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AI Item Analysis

This item is a framed original drypoint etching with lithographic color by the renowned surrealist artist Salvador Dalí, specifically titled 'New York Stock Exchange' from the portfolio 'Our Historical Heritage,' circa 1975. The artwork features Dalí's distinctive linear style, depicting the façade of the exchange, the iconic statues of lions on the steps, and a floating flag, all accented by circular pops of vibrant color in red, blue, and gold. To the right, a tall, stylized profile of a figure is visible. The piece is executed on heavy rag paper and appears to be professionally matted and housed in a traditional gilt-wood frame with beaded ornamentation. The composition demonstrates Dalí's late-period mastery of combining architectural precision with surreal, abstract elements. While the resolution of the image makes it difficult to verify a signature or edition numbering, such pieces were typically produced in limited editions and signed by the artist in pencil in the lower margins. The condition appears stable within the frame; some slight yellowing of the mat board or darkening of the paper may be present due to age, which is common for prints of this era. The alignment of the lithographic dots over the etching lines is a key indicator of the production method used during this prolific period of Dalí's graphic work.

AI Appraisal Report

I have virtually examined this drypoint etching with lithographic color from Salvador Dalí’s 1975 'Our Historical Heritage' series. The composition exhibits the expected calligraphic line work and 'chromos' characteristic of Dalí’s collaboration with publishers like Leon Amiel. From the visual evidence, the registration of the lithographic elements aligns with known legitimate examples, and the heavy rag paper displays appropriate deckling and age-related oxidation consistent with 1970s production. The gilding on the frame and the beaded ornamentation suggest a high-level presentation, though some mat burn is visible, potentially affecting the paper margins. The market for Dalí’s mid-70s graphic works remains robust due to his global brand, though it is heavily scrutinized due to historical issues with 'afters' and unauthorized restrikes. Comparables for signed and numbered examples from this specific series have recently realized between $3,500 and $7,000 at auction, depending on the vibrancy of the colors and the presence of a blindstamp (such as the 'Dalart N.V.' or 'Arches' watermark). Pieces featuring iconic American landmarks like the NYSE typically command a premium among domestic collectors. Critically, a definitive valuation is hindered by the inability to inspect the signature and edition number under magnification. While this appears to be a hand-signed original, Dalí’s prolific and complex printing history requires physical verification. To finalize this appraisal, I would require an in-person inspection to verify the tactile ‘bite’ of the etching plate, a UV light exam to check for paper restoration, and a review of the provenance or a Certificate of Authenticity from a recognized Dalí scholar (e.g., Albert Field or Michler/Löpsinger). Without confirming the pencil signature is not a facsimile, this remains a preliminary estimate.

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