Art Deco Style Bronze and Brass Sculpture of a Nude Woman and Crescent Moon

This decorative table-top sculpture features a stylized, elongated nude female figure suspended within a large crescent moon. The piece demonstrates Art Deco sensibilities with its emphasis on sleek lines and geometric forms. The central figure is likely cast in bronze with a dark, chocolate-brown or black patina, displaying fine details in the flowing hair and an athletic, graceful posture. The crescent moon is made of brass and exhibits a significant weathered patina with visible oxidation, spotting, and surface wear consistent with age. The entire sculpture is mounted on a heavy, multi-tiered circular black base, which provides stability and contrast. The construction involves the figure being anchored at both the top and bottom of the interior curve of the moon. While there are no visible maker's marks from this angle, the style suggests a late 20th-century homage to the 1920s-1930s era or a contemporary decorative piece designed for high-end interior display. The craftsmanship shows professional metal casting and assembly, though the surface of the brass appears to have lost its original lacquer, leading to the current matte, tarnished finish.

I have conducted a visual examination of the Art Deco style sculpture. The piece exhibits high-quality metalwork, featuring a bronze-cast female form and a brass lunar arc. The aesthetic is consistent with a revivalist production from the late 20th century rather than a period original from the 1920s. The patina on the bronze is well-preserved, though the brass crescent shows significant oxidative spotting and loss of original lacquer, which is typical for mixed-metal decorative arts of this age. The tiered plinth is heavy and correctly scaled, though I cannot definitively identify the material as stone or lacquered wood without a physical scratch test. Market demand for Art Deco revival pieces remains steady for interior design purposes, though values are lower than signed period works by masters such as Erté or Chiparus. Comparable sales for unsigned bronze-and-brass decorative sculptures of this scale generally fall within the mid-to-high three-figure range. The value is limited by the lack of a visible foundry mark or artist signature. For a definitive authentication, I would require an in-person inspection to verify the casting method (lost-wax vs. sand-cast), weight, and to check for hidden markings under the base or within the metal folds. Provenance documentation or a bill of sale from a reputable gallery would be necessary to elevate the valuation to a 'fine art' category rather than 'decorative object.' Without these, the appraisal reflects a fair market value for a high-quality contemporary decorative sculpture.