Framed Landscape Print after Maxfield Parrish

This item is a large-format framed print, likely a lithograph or a high-quality reproduction of a landscape painting. The scene features a group of figures in white robes attending a central altar or pyre within a wooded setting, characterized by large, stylized deciduous trees with golden-hued foliage. The color palette is dominated by muted greens, deep browns, and warm yellows, typical of the early 20th-century aesthetic. The artwork is housed in a dark, simple wooden frame with a narrow profile. From the visual evidence, the piece exhibits several condition issues: there are significant reflections on the glass surface indicating it is not non-reflective museum glass, and there appears to be some undulation or waviness to the paper substrate beneath the glass, which may suggest moisture exposure or improper mounting over time. The frame shows minor scuffing and dust accumulation, but the overall structural integrity seems intact. The style is strongly reminiscent of the American Golden Age of Illustration, particularly the work of Maxfield Parrish, whose use of luminosity and dreamlike settings is echoed here. Based on the framing style and the subject matter, the print likely dates from the mid-20th century. While no signature or manufacturer mark is clearly visible from this distance, the craftsmanship of the print demonstrates a high level of detail in the rendering of the light and textures.