Peter Max - Umbrella Man Mixed Media

This artwork is a vibrant mixed media piece by the renowned Pop artist Peter Max, featuring his iconic 'Umbrella Man' motif against a sunset landscape. The work appears to be a hand-signed lithograph or serigraph with original acrylic painted embellishments, a technique common in Max’s later career (late 20th to early 21st century). The palette is characteristic of the artist's Neo-Expressionist style, utilizing bold primary colors, electric magentas, and deep lavenders. To the left of the central figure is a faint, gestural ink sketch of a profile, likely a 'Blushing Beauty' trope. Notably, the piece is signed 'MAX' in the lower right margin in his distinctive hand-written style. In the lower left margin, there is a numbering or marking that appears to be '4/10', suggesting a very small, exclusive edition. The work is professionally matted with a black border and housed in a gold-finished wooden frame. The condition appears excellent with no visible foxing, fading, or moisture damage to the paper. The paint layers show high impasto and vibrant pigment saturation, indicating high-quality craftsmanship and materials typical of the artist’s studio productions.

Based on my visual examination of this mixed media on paper, the work represents a high-value example of Peter Max’s late-career output. The 'Umbrella Man' is one of the most commercially successful motifs in Contemporary Pop Art. This specific piece is a 'unique multiple,' combining a printed base with significant acrylic hand-painting. The heavy impasto and fluid brushwork suggest a high degree of artist or studio intervention, which significantly elevates the value above a standard lithograph. The '4/10' edition number indicates an unusually small run, adding a scarcity premium that collectors actively seek. The condition appears excellent; the colors remain saturated without UV degradation, and the gold-finished framing is consistent with gallery standards. The market for Max remains liquid, with price points driven by the extent of the hand-painting and the iconic nature of the subject matter. However, this appraisal is subject to physical verification. As a photographic assessment, I cannot confirm the paper’s watermark, the specific medium of the base print (lithography vs. serigraphy), or the presence of a generic studio stamp on the verso. A full authentication would require a physical inspection to verify the ink-to-paper absorption, a ultraviolet light test to ensure the signature and acrylics were applied contemporaneously, and a review of the Certificate of Authenticity (COA) from Peter Max Studios. Without verified provenance or a studio-issued COA, the valuation would be adjusted toward the lower end of the spectrum.