Impressionist-style landscape painting bearing the signature 'Farouk Lambaz'

This artwork is an impressionist-style landscape, likely a watercolor or a mixed media work on paper, depicting a rural scene with a seated figure and a pack animal, appearing to be a donkey, on a grassy hillside. The composition utilizes a soft, hazy palette of yellows, greens, and blues, with a notable use of cross-hatching and light-on-dark texture to suggest tall grass and the coarse fur of the animal. The work bears a signature in the lower-left corner reading 'Farouk Lambaz', which is stylistically consistent with the known hand of the Jordanian artist typically active in the late 20th and early 21st centuries. The painting is housed within a white mat and a simple black frame under glass. A significant glare from an external light source is visible on the center of the glass in the photograph, which partially obscures the details of the central figure. The brushwork appears deliberate and atmospheric, suggesting a pastoral or nomadic theme often explored in mid-to-late 20th-century Levantine art. While the signature is visible, this attribution remains a hypothesis subject to physical examination and provenance verification. The condition appears stable within the frame, with no immediate signs of foxing or paper discoloration visible in the image.

Based on my examination of the provided image, this work appears to be a mixed media composition on paper bearing a signature consistent with the hand of Jordanian artist Farouk Lambaz. The soft, pastoral atmosphere and texture-driven technique are characteristic of his mid-to-late 20th-century style. However, I must state that this attribution remains a hypothesis; I cannot verify the medium, exact age, or authorship from a photograph alone. A significant glare on the glass obscures central details, making it impossible to assess the underlying surface for potential mechanical reproduction or to identify professional repairs. The value range of $1,200 to $2,500 is based on the assumption that the work is an autographic piece by Lambaz, as there is a stable regional market for mid-century Levantine Impressionism. This estimate reflects the piece's aesthetic appeal and the artist's recognition. Should physical inspection or provenance research reveal this to be a print, a later copy, or a work 'in the style of' the artist, its market value would likely decrease significantly, perhaps to a decorative range of $100 to $300. To reach a more certain valuation, I would require an in-person examination to inspect the paper fibers and ink saturation, as well as documented provenance or a certificate of authenticity from a recognized expert in Jordanian modern art. The current estimate assumes the condition is stable beneath the matting, which cannot be fully assessed without unframing.