Oil painting depicting Woman and Child, unsigned

This unframed artwork is an oil painting on hardboard measuring approximately 60 by 45 centimeters, depicting a stylized half-length portrait of a woman cradling a child. The color palette is dominated by warm ochres, earthy browns, cream tones, and deep blues. The physical construction consists of paint applied directly to a rigid fiberboard or hardboard support, displaying visible brushwork and texture throughout the composition. There is no visible signature, monogram, or maker's mark anywhere on the visible surface of the painting. The overall aesthetic leans toward a modern or mid-to-late 20th-century interpretation of traditional religious iconographic subjects, utilizing simplified forms, bold outlining, and a muted, aged color scheme. Condition-wise, the hardboard exhibits minor surface wear around the edges, slight discoloration, and potential dust accumulation, but no major structural losses or tears are readily apparent from the visual evidence. The owner has provided unverified contextual notes describing the piece as an oil painting on hardboard titled 'Woman and Child', dating to around 1980, and user-attributed to Susanna Borg, with the note 'Ei signeerausta' (no signature). This user-supplied attribution is entirely unverified and serves purely as context; the identification rests strictly on the physical inspection of the image showing an unsigned oil painting on board without any visible maker's marks or confirming documentation.

Based on what I can see in the provided image, this unframed oil painting on hardboard measures approximately 60 by 45 centimeters and depicts a stylized half-length portrait of a woman cradling a child. The work employs a warm palette of ochres, earthy browns, cream tones, and deep blues with visible brushwork and texture, leaning toward a mid-to-late 20th-century aesthetic reminiscent of religious iconographic subjects. Per user submission, the piece is unverified and attributed to Susanna Borg, dated around 1980, with the note 'Ei signeerausta' indicating no visible signature. I cannot verify from a photo whether the attribution is correct, as visual inspection alone cannot establish authorship or rule out a later copy, replica, or a work in the style of the named artist. The appraisal value range provided assumes the attribution to Susanna Borg is correct. In this assumed scenario, works of this type and period by regional or mid-tier listed artists generally trade within this moderate bracket in secondary art markets, depending heavily on provenance and exhibition history. Demand for 20th-century figurative oil paintings of this style remains niche but steady among regional collectors. If the attribution is incorrect and the piece is merely an unattributed or decorative work in the style of the period, the market value would likely decrease significantly, dropping into the $100–$250 range. To confirm authenticity and solidify the attribution, physical inspection by a qualified fine art expert, provenance documentation, and potential technical art historical analysis would be necessary.