
Vintage-Style Lavender Molded Resin Cameo Pendant-Brooch
This decorative accessory features a central oval cabochon with a left-facing profile of a woman. The cameo is constructed from molded lavender and white resin, designed to mimic traditional carved hardstone but representative of mid-to-late 20th-century costume jewelry manufacturing. The central figure is rendered in a soft white against a matte purple background. The frame is a gold-tone filigree metal, likely a brass or plated base metal, featuring openwork scrolls and stylized floral motifs. The outer border is accented with small white enameled flowers and iridescent 'Aurora Borealis' (AB) rhinestones that exhibit a play of colors. Additionally, darker lavender-colored round cut crystals are interspersed along the frame. The overall construction appears to be machine-made with glued-in components. The condition shows minor signs of aging, including slight dulling of the enamel and potential light surface scratches on the resin. The design aesthetic is a revival of the Victorian era, typical of costume brands such as Sarah Coventry or West/East German makers from the 1960s-1970s. The piece likely functions as a dual-purpose pendant-brooch, having both a pin mechanism and a bale on the reverse.
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Estimated Value
$35.00 - $65.00
Basic Information
Category
Vintage Costume Jewelry
Appraised On
January 13, 2026
Estimated Value
$35.00 - $65.00
Item Description
This decorative accessory features a central oval cabochon with a left-facing profile of a woman. The cameo is constructed from molded lavender and white resin, designed to mimic traditional carved hardstone but representative of mid-to-late 20th-century costume jewelry manufacturing. The central figure is rendered in a soft white against a matte purple background. The frame is a gold-tone filigree metal, likely a brass or plated base metal, featuring openwork scrolls and stylized floral motifs. The outer border is accented with small white enameled flowers and iridescent 'Aurora Borealis' (AB) rhinestones that exhibit a play of colors. Additionally, darker lavender-colored round cut crystals are interspersed along the frame. The overall construction appears to be machine-made with glued-in components. The condition shows minor signs of aging, including slight dulling of the enamel and potential light surface scratches on the resin. The design aesthetic is a revival of the Victorian era, typical of costume brands such as Sarah Coventry or West/East German makers from the 1960s-1970s. The piece likely functions as a dual-purpose pendant-brooch, having both a pin mechanism and a bale on the reverse.
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