
Gilt-Bronze or Composite Guanyin Figural Table Lamp
This decorative table lamp features a central figure depicting the bodhisattva Guanyin, commonly known as the Goddess of Mercy in East Asian Buddhism. The figure is captured in a standing position atop a stylized lotus pedestal, exhibiting flowing, traditional robes with elegant drapery that suggests movement. It is finished in a warm gold gilding or metallic bronze-tone paint over what appears to be a cast metal or composite material. The figure’s face shows a serene, meditative expression, characteristic of the Buddhist iconographic style, and is crowned with an ornate headpiece or ushnisha. The sculpture is mounted on a contemporary rectangular black base, which provides stability and houses the electrical components. The lamp's hardware includes a brass-finished curved neck leading to a standard socket assembly, topped with a pleated white or cream fabric lampshade. In terms of condition, there is visible surface wear to the gilt finish, particularly on the raised edges of the drapery and chest, revealing a darker under-layer or patina that adds character and age to the piece. There are no major cracks or structural repairs visible in the image. The craftsmanship displays a mid-20th-century aesthetic, likely produced as a high-end Chinoiserie decorative object for the Western market. The quality of the casting is good, with distinct details found in the facial features and the texture of the garments.
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Estimated Value
$150 - $250
Basic Information
Category
Home Decor / Lighting / Asian Antiques & Collectibles
Appraised On
February 24, 2026
Estimated Value
$150 - $250
Item Description
This decorative table lamp features a central figure depicting the bodhisattva Guanyin, commonly known as the Goddess of Mercy in East Asian Buddhism. The figure is captured in a standing position atop a stylized lotus pedestal, exhibiting flowing, traditional robes with elegant drapery that suggests movement. It is finished in a warm gold gilding or metallic bronze-tone paint over what appears to be a cast metal or composite material. The figure’s face shows a serene, meditative expression, characteristic of the Buddhist iconographic style, and is crowned with an ornate headpiece or ushnisha. The sculpture is mounted on a contemporary rectangular black base, which provides stability and houses the electrical components. The lamp's hardware includes a brass-finished curved neck leading to a standard socket assembly, topped with a pleated white or cream fabric lampshade. In terms of condition, there is visible surface wear to the gilt finish, particularly on the raised edges of the drapery and chest, revealing a darker under-layer or patina that adds character and age to the piece. There are no major cracks or structural repairs visible in the image. The craftsmanship displays a mid-20th-century aesthetic, likely produced as a high-end Chinoiserie decorative object for the Western market. The quality of the casting is good, with distinct details found in the facial features and the texture of the garments.
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