
Framed Western Landscape Print by Bev Doolittle
This item is a framed fine art print, likely a limited edition lithograph, featuring the distinct narrative style of renowned western artist Bev Doolittle. The artwork depicts a rugged, rocky landscape under a dark, dramatic sky. A central figure, possibly a Native American warrior in traditional dress, stands atop a prominent rock formation, overlooking an intricate tangle of pale, withered tree roots and branches that dominate the right foreground. The color palette is earthy and subdued, characterized by ochres, tans, and deep grays, with the white of the gnarled trees providing stark contrast. The piece is professionally matted with multiple layers, including a dark outer mat and a thin white inner accent, and is housed in a dark wooden frame. While the specific title is not immediately visible, the composition is highly characteristic of Doolittle’s late 20th-century work (circa 1980s-1990s), known for 'camouflage' art and hidden details. The condition appears stable within the frame, showing no obvious water damage or fading from this viewpoint, although reflection on the glass obscures fine detail. The craftsmanship of the matting suggests a high-quality gallery presentation.
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Estimated Value
$300 - $550
Basic Information
Category
Fine Art Prints
Appraised On
January 11, 2026
Estimated Value
$300 - $550
Item Description
This item is a framed fine art print, likely a limited edition lithograph, featuring the distinct narrative style of renowned western artist Bev Doolittle. The artwork depicts a rugged, rocky landscape under a dark, dramatic sky. A central figure, possibly a Native American warrior in traditional dress, stands atop a prominent rock formation, overlooking an intricate tangle of pale, withered tree roots and branches that dominate the right foreground. The color palette is earthy and subdued, characterized by ochres, tans, and deep grays, with the white of the gnarled trees providing stark contrast. The piece is professionally matted with multiple layers, including a dark outer mat and a thin white inner accent, and is housed in a dark wooden frame. While the specific title is not immediately visible, the composition is highly characteristic of Doolittle’s late 20th-century work (circa 1980s-1990s), known for 'camouflage' art and hidden details. The condition appears stable within the frame, showing no obvious water damage or fading from this viewpoint, although reflection on the glass obscures fine detail. The craftsmanship of the matting suggests a high-quality gallery presentation.
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