This is a stylized limited-edition screen-printed poster by the renowned street artist Shepard Fairey (Obey Giant), created for a musical event at The Raleigh Hotel in Miami on March 24. The artwork measures approximately 18 x 24 inches or similar standard square/rectangular format, printed on heavy cream-colored archival paper stock. The color palette is restricted to Fairey's signature aesthetic: bold black, vibrant purple, and an antique gold/ochre. The central composition features a trio of prominent African American figures in a graphic, high-contrast woodblock style. The central figure is shirtless and muscular, framed by stylized typography that includes names like 'DJ Jazzy Jeff,' 'Mr. Choc,' and 'D-KUT.' The wavy, psychedelic-inspired text in the background is a hallmark of Fairey’s concert and event posters from the mid-2000s. The printing displays crisp, clean lines and solid ink coverage characteristic of high-quality silkscreening. The piece appears to be in excellent condition, housed within a professional white archival mat, though it is viewed through glass. There are no visible signs of foxing, creases, or fading. The craftsmanship reflects the peak of the Obey Giant studio’s production during this era, blending social realism with commercial pop-art sensibilities.

I have conducted a visual examination of this Shepard Fairey (Obey Giant) limited-edition screen print titled 'DJ Jazzy Jeff at The Raleigh Hotel.' Based on the 18x24 format, heavy cream archival paper, and specific color palette, this work is consistent with the artist's mid-2000s event-specific output. The condition appears to be 'Fine' to 'Near-Mint' with no evidence of moisture damage, waving, or light-induced fading, though the professional matting partially obscures the paper edges where signatures or edition numbers usually reside. The market for Fairey’s music-based collaborations remains stable, as these pieces appeal to both street art collectors and music memorabilia enthusiasts. Recent auction data for similar non-portrait 'event' prints suggests a valuation in the mid-hundreds, whereas his highly political or icon-based posters (like 'Hope') command significantly higher premiums. Limitations of this appraisal: A visual inspection via imagery cannot confirm the tactile quality of the ink layers or the presence of a genuine artist’s pencil signature and year. Full authentication would require removing the piece from the frame to inspect the verso for the Obey Giant watermark or associated stamps. Additionally, verifying the edition number against the artist’s catalogue raisonné and reviewing original sales provenance would be necessary to distinguish this from any potential later-edition reprints or high-quality unauthorized reproductions. For insurance purposes, I suggest maintaining the current archival housing to prevent future degradation.