Pastel or mixed media still life painting bearing a signature consistent with 'A. Limber'

This artwork is a framed still life executed in a vibrant, expressive style using what appears to be pastel, oil pastel, or mixed media on paper. The composition depicts a central orange-toned vase containing green floral clusters, possibly hydrangeas, set against an intense blue background. In the foreground, three green pears rest on a surface rendered with gestural strokes of ochre, brown, and yellow. The lower right corner bears a handwritten signature reading 'A. Limber', which the owner has also noted; however, this signature remains unverified without professional forensic analysis. The work is presented under glass with a multi-layered mat inside a metallic-finished frame. A retail sticker from a thrift store is visible on the upper right corner of the glass. While the vibrant color palette and thick application of media are stylistically consistent with late 20th-century contemporary representational art, the exact age and origin cannot be determined from the image alone. Visible condition includes some smudging on the matting and minor surface wear to the frame edges. The attribution to the artist 'A. Limber' is a hypothesis based on the visible mark and requires in-person expert authentication.

Based on the image provided, I have examined this framed still life composition featuring a vase with floral clusters and pears. The work bears a signature consistent with 'A. Limber' in the lower right corner, though I cannot verify the legitimacy of this mark from a photograph. The value estimate is predicated on the hypothesis that the work is by the artist mentioned, assuming it is a mid-to-late 20th-century mixed media piece. Based on what I can see, the vibrant application of color and gestural style suggests a decorative contemporary hand. I cannot determine the exact substrate or the stability of the pigments without a physical inspection. The presence of a thrift store sticker on the glass and visible wear to the frame and matting suggest a secondary market history that typically limits value to the lower decorative range. In the current market, works of this type that are attributed to a specific but lesser-known name generally sell in the $150-$350 range at regional auctions or through estate sales. To move toward a more formal valuation, in-person expert examination and provenance documentation would be required to rule out the possibility of it being a study or a work 'in the style of' the named artist. If the work were found to be unattributed or a student-level copy, the value would likely decrease to a purely decorative level of $50-$100. Conversely, if physical analysis and historical documentation were to link this work to a specific exhibition record, the value could potentially exceed this estimate.