Mid-Century Modern Style Wooden Nightstand/End Table

This is a contemporary or late 20th-century end table or nightstand, crafted in a style reminiscent of Mid-Century Modern or Shaker design. The piece features a dark cherry or mahogany-tone wood finish with a smooth, semi-gloss sheen. Its construction consists of a rectangular top with flat edges, a single integrated drawer, and a lower open display shelf. The drawer is centered and accented with a single, dark metallic pull handle, possibly antiqued brass or bronze in finish. The table is supported by four square, tapered legs that lend it a lean and elegant silhouette. The overall structural design is minimalist, relying on clean lines and functional form. Regarding its condition, the finish appears generally intact with a uniform color, though the image quality makes it difficult to detect minor scuffs or surface scratches that are typical of used wooden furniture. Based on the uniform finish and assembly style, it appears to be a mass-produced piece rather than a custom artisan item. The piece shows no signs of significant structural damage such as warping or joint separation. It stands at a standard side-table height, suitable for use next to a bed or sofa.

Upon my visual examination of this Mid-Century Modern style end table, I find it to be a well-maintained, contemporary mass-market production piece. The silhouette follows a minimalist Shaker-MCM hybrid aesthetic, featuring a dark cherry-tone finish on what appears to be secondary hardwoods or high-quality veneers. The structural integrity is sound, with legs showing proper tapering and the single drawer appearing flush within the frame. The minimal wear indicates a light usage history, though the semi-gloss sheen suggests a modern factory finish rather than a hand-rubbed oil finish typical of period-original 1950s furniture. The current market for 'MCM-style' furniture is saturated with retailers like West Elm and Pottery Barn. Since this piece lacks markings of a high-end designer (e.g., Herman Miller or Knoll), its value is determined by utility rather than rarity. Comparables for non-branded, mass-produced tables of this quality typically sell in the secondary market within the $150 to $250 range. Its value is bolstered by its versatile design but limited by its lack of artist provenance. Limitations: My assessment is based solely on digital imagery. For a definitive authentication, I would need to inspect the drawer joinery (to check for dovetailing versus staples), the underside for manufacturer stamps, and the grain pattern to distinguish between solid wood and laminate. A physical inspection would also reveal surface depth and the true material of the hardware. Without a physical touch-test or provenance documentation, this must be treated as a decorative contemporary piece rather than a vintage investment.