
Sur les Quais à Paris (On the Quays in Paris)
This is an oil painting on canvas attributed to the French Realist artist Pascal-Adolphe-Jean Dagnan-Bouveret, dating from the late 19th century (circa 1880-1890). The composition depicts a scene near the Place de la Concorde in Paris on a grey, atmospheric day. The palette is dominated by muted earth tones, smoky grays, and deep ochres, characteristic of the artist's naturalistic style. Figures in period dress—specifically a woman in a dark Victorian-era silhouette—stroll along the quay, framed by the silhouettes of leafless trees and iron railings. In the distance, the faint outline of Parisian landmarks like the Fountain of the Seas is visible through a soft atmospheric haze. The canvas is housed in a contemporary dark wood frame with gilded accents. The brushwork appears deliberate and refined, focusing on the interplay of light and social observation. Condition-wise, the image shows heavy pixelation and compression artifacts from digital processing, but the physical canvas appears stable within the frame. There is a visible patina typical of a century-old oil work, with some darkening of the varnish. The work demonstrates high quality in its tonal handling and perspectival depth, aligning with the Academic-Realist tradition of the Belle Époque.
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Estimated Value
$15,000 - $25,000
Basic Information
Category
Fine Art - Painting
Appraised On
March 10, 2026
Estimated Value
$15,000 - $25,000
Additional Details Provided By Owner
User Provided Information
place de la concorde paris, peinture sur toile de dagnan Bouveret
Item Description
This is an oil painting on canvas attributed to the French Realist artist Pascal-Adolphe-Jean Dagnan-Bouveret, dating from the late 19th century (circa 1880-1890). The composition depicts a scene near the Place de la Concorde in Paris on a grey, atmospheric day. The palette is dominated by muted earth tones, smoky grays, and deep ochres, characteristic of the artist's naturalistic style. Figures in period dress—specifically a woman in a dark Victorian-era silhouette—stroll along the quay, framed by the silhouettes of leafless trees and iron railings. In the distance, the faint outline of Parisian landmarks like the Fountain of the Seas is visible through a soft atmospheric haze. The canvas is housed in a contemporary dark wood frame with gilded accents. The brushwork appears deliberate and refined, focusing on the interplay of light and social observation. Condition-wise, the image shows heavy pixelation and compression artifacts from digital processing, but the physical canvas appears stable within the frame. There is a visible patina typical of a century-old oil work, with some darkening of the varnish. The work demonstrates high quality in its tonal handling and perspectival depth, aligning with the Academic-Realist tradition of the Belle Époque.
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