
Framed Vintage Oil Painting of Junks in a Harbor
This item is an oil painting depicting a harbor scene with traditional Chinese Junk boats and a smaller rowboat, set against a backdrop of mountains and a partly cloudy sky. The overall color palette is dominated by blues (water and sky), greens (mountains), and earthy tones (boats and structures). The painting exhibits a visible impasto technique, particularly in the water and clouds, indicating thick application of paint. Notable features include several large sailing vessels with distinctive battened sails, a small wooden dwelling or boathouse on the left bank, and a smaller, empty rowboat moored towards the foreground. The sky shows hints of a sunrise or sunset with patches of yellow and orange amidst the blue and grey clouds. The painting appears to be signed in the lower right corner, though the signature is partially obscured and difficult to read, possibly "H.C. Kan" or similar. Visible condition issues include significant craquelure across the entire surface of the painting, suggesting age and environmental exposure. There are also several small specks of missing paint or surface abrasions, particularly noticeable in the sky and on some of the boats. The painting is housed in a rustic, distressed wooden frame with a whitewash or light paint finish that has considerable chips and wear, revealing the natural wood underneath. The frame's texture appears intentionally rough. Given the style of the boats and the visible signs of aging, this painting likely dates from the mid to late 20th century. The craftsmanship, while employing thick paint application, suggests a decorative rather than fine art piece, characteristic of mass-produced or tourist art of that era. The unique aspect is its clear depiction of a specific cultural scene, providing an aesthetic window into East Asian maritime life.
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Estimated Value
$100-250
Basic Information
Category
Wall Art
Appraised On
August 27, 2025
Estimated Value
$100-250
Item Description
This item is an oil painting depicting a harbor scene with traditional Chinese Junk boats and a smaller rowboat, set against a backdrop of mountains and a partly cloudy sky. The overall color palette is dominated by blues (water and sky), greens (mountains), and earthy tones (boats and structures). The painting exhibits a visible impasto technique, particularly in the water and clouds, indicating thick application of paint. Notable features include several large sailing vessels with distinctive battened sails, a small wooden dwelling or boathouse on the left bank, and a smaller, empty rowboat moored towards the foreground. The sky shows hints of a sunrise or sunset with patches of yellow and orange amidst the blue and grey clouds. The painting appears to be signed in the lower right corner, though the signature is partially obscured and difficult to read, possibly "H.C. Kan" or similar. Visible condition issues include significant craquelure across the entire surface of the painting, suggesting age and environmental exposure. There are also several small specks of missing paint or surface abrasions, particularly noticeable in the sky and on some of the boats. The painting is housed in a rustic, distressed wooden frame with a whitewash or light paint finish that has considerable chips and wear, revealing the natural wood underneath. The frame's texture appears intentionally rough. Given the style of the boats and the visible signs of aging, this painting likely dates from the mid to late 20th century. The craftsmanship, while employing thick paint application, suggests a decorative rather than fine art piece, characteristic of mass-produced or tourist art of that era. The unique aspect is its clear depiction of a specific cultural scene, providing an aesthetic window into East Asian maritime life.
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