
Homage to the Square (Variant II)
This item is a framed serigraph or print, likely by Josef Albers, titled 'Homage to the Square (Variant II)'. The artwork features a composition of nested squares, a hallmark of Albers' iconic series. The color palette employed consists of varying shades of yellow and a prominent gray square at the center. From the outermost layer, the squares transition from a brighter, sunnier yellow to a slightly muted yellow, and then to a deeper, more golden yellow, culminating in the central matte gray square. The lines defining the squares appear crisp and precise, typical of the geometric abstraction and color theory exploration central to Albers' work. The print is housed under glass within a slender, silver-toned metal frame that exhibits a minimalist aesthetic, complementing the artwork's clean lines. There are no immediately obvious visible condition issues with the artwork itself, such as tears, creases, or significant discoloration. However, reflections on the glass make it difficult to ascertain the exact condition of the print's surface or detect any subtle fading. The frame appears to be in good condition, with no visible dents or scratches on the portion seen. The absence of visible signatures or maker's marks in the provided image prevents definitive attribution or edition details, though the style is unmistakably that of Josef Albers' 'Homage to the Square' series. The piece likely dates from the mid to late 20th century, aligning with Albers' active career.
AI-Generated Appraisal Disclaimer
Estimated Value
$1,800 - $3,500
Basic Information
Category
Art Print
Appraised On
November 17, 2025
Estimated Value
$1,800 - $3,500
Item Description
This item is a framed serigraph or print, likely by Josef Albers, titled 'Homage to the Square (Variant II)'. The artwork features a composition of nested squares, a hallmark of Albers' iconic series. The color palette employed consists of varying shades of yellow and a prominent gray square at the center. From the outermost layer, the squares transition from a brighter, sunnier yellow to a slightly muted yellow, and then to a deeper, more golden yellow, culminating in the central matte gray square. The lines defining the squares appear crisp and precise, typical of the geometric abstraction and color theory exploration central to Albers' work. The print is housed under glass within a slender, silver-toned metal frame that exhibits a minimalist aesthetic, complementing the artwork's clean lines. There are no immediately obvious visible condition issues with the artwork itself, such as tears, creases, or significant discoloration. However, reflections on the glass make it difficult to ascertain the exact condition of the print's surface or detect any subtle fading. The frame appears to be in good condition, with no visible dents or scratches on the portion seen. The absence of visible signatures or maker's marks in the provided image prevents definitive attribution or edition details, though the style is unmistakably that of Josef Albers' 'Homage to the Square' series. The piece likely dates from the mid to late 20th century, aligning with Albers' active career.
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