Framed mixed-media print attributed to Bill Ward

A framed artistic print on deckled-edge paper, depicting an elderly Indigenous man in a seated pose. The figure is shown wearing a turquoise headscarf, a light-colored button-down shirt, yellowish trousers, and black high-top sneakers in the style of Converse Chuck Taylors. He appears to be holding a cigar or hand-rolled cigarette. The artwork features a signature in the lower right corner that appears to read 'Bill Ward' and a handwritten title in the lower center reading 'Whiteman's Moccasins'. In the lower left, the notation 'A/P' is visible, suggesting this is an Artist's Proof. The work is stylistically consistent with late 20th-century contemporary Southwestern realism. The colors are muted with earthy tones and soft washes. The piece is professionally matted with a sage green inner mat and a reddish-brown outer frame. There are visible reflections on the glass from a window, but the underlying print shows no obvious signs of moisture damage or fading, though physical inspection would be required to assess the paper's integrity and the medium's composition. Identification is based on the legible signature and title, which remain unverified without professional authentication.

Based on my visual analysis of the provided image, I have evaluated this mixed-media print which bears a signature consistent with the artist Bill Ward. The work, titled 'Whiteman's Moccasins', is noted as an Artist's Proof ('A/P'), which typically carries additional interest for collectors of Southwestern realism. The piece demonstrates high-quality drafting and a color palette typical of late 20th-century regional works. Based on what I can see, the paper maintains its deckled edges and the muted earth tones appear stable, though I cannot verify from a photo if there is any light-induced fading or acidic mat burn. The value estimate of $400 - $800 assumes the attribution to Bill Ward is correct. This range reflects general market behavior for hand-signed, low-edition prints of this size and subject matter. Demand for contemporary Indigenous portraiture remains steady among regional collectors. However, this estimate is a hypothesis based on visible markings that I cannot confirm as being by the artist's own hand without a physical inspection and provenance documentation. To confirm its status, one would need to examine the paper's watermark and the ink's application under magnification. Should the work be identified as a high-volume mechanical reproduction or work 'in the style of' rather than an artist-sanctioned proof, the fair market value would significantly decrease to a decorative value, likely between $50 and $100. Professional authentication and a physical check of the frame's archival quality are recommended to secure a more precise valuation.