AI Appraisal Estimate

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Submitted item photo
Submitted photo · May 22, 2026

User's notes

Charcoal sketch by L. Townsend

AI analysis below

AI appraisal

AI analysis & estimate

AI-Generated · Verify before acting

Everything below is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

Note

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Identification

·Not independently authenticated·Verify before acting

Lee Townsend Charcoal and Gouache Thoroughbred Racing Sketch

Fine Art - Sporting Art & Illustration

AI Estimated Value

·Not an official valuation·Verify before acting

$400 - $800

As of May 22, 2026

AI Item Analysis

·AI can make mistakes·Verify before acting
This original equestrian artwork depicts a dynamic horse racing scene, capturing two jockeys and their mounts in full gallop. Executed on a mid-tone tan or buff-colored paper, the artist has skillfully utilized charcoal or graphite for deep shadows and structural linework, complemented by heightening in white gouache or chalk to create highlights and a sense of motion. The artwork is signed 'L. TOWNSEND' (attributed to Lee Townsend, 1895-1965) in the lower-left corner. The composition is horizontally oriented, conveying intense speed through the diagonal positioning of the horses' legs and the blurred, minimalist background. The foreground features expressive, dark gestural strokes suggesting mud or shadow on the track. In terms of condition, there is visible foxing and subtle discoloration throughout the paper substrate, particularly in the upper quadrant. A slight vertical undulation of the paper suggests it may not be laid perfectly flat against the backing. The piece is housed under glass with a double matting system—a pale blue inner mat and a wider white outer mat—though there is a noticeable glare on the glass surface in the photograph. Based on the style and athlete uniforms, the work appears to date from the mid-20th century. Townsend was well-regarded for his sporting illustrations, and the confident, fluid brushwork here demonstrates high-quality draftsmanship typical of professional illustrators of the era.

AI Appraisal Report

·AI can make mistakes·Verify before acting
Based on my visual examination of the provided images, this is an original charcoal and gouache sketch on paper signed 'L. TOWNSEND,' attributed to American illustrator Lee Townsend (1895-1965). The work is a characteristic example of mid-20th-century sporting illustration, demonstrating Townsend's adept ability to capture kinetic energy and equine anatomy with fluid, confident strokes. The use of white heightening on the buff paper effectively creates depth and highlights the motion of the jockeys. Condition is a significant factor in this valuation. I observed noticeable foxing (brown spotting) scattered across the upper background and some general time-staining of the paper substrate. The slight vertical ripples suggest the paper is not mounted flat, likely due to humidity fluctuations or non-archival mounting methods. While the draftsmanship is high quality, these conservation issues will impact the final market value, as professional restoration would likely be required for long-term preservation. Comparables for Townsend's similar works on paper generally sell in the $300 to $900 range at auction, depending heavily on the complexity of the scene and condition. Racing scenes are his most desirable subject matter. While this is a dynamic composition, the condition issues place it in the lower-to-mid range of that spectrum. Please note that this appraisal is based solely on digital images. To fully authenticate the piece, I would need to physically examine the signature under magnification and inspect the paper out of the frame—specifically checking the verso for foundry marks, gallery labels, or sketches that could bolster provenance. Without physical inspection, I cannot definitively rule out a print or lithograph, although the application of the white gouache appears raised and consistent with original handwork.

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