Vintage Gold-Tone Filigree Clip-On Earrings with Green Accents

A matching pair of vintage clip-on earrings featuring an intricate gold-tone openwork filigree design. Each earring is circular in its general silhouette with scalloped edges, composed of swirling wire-like metalwork that creates a delicate, airy appearance. Set within the gold-toned scrolls are two small, round-cut green glass or rhinestone accents per earring, positioned symmetrically. The metal displays a warm yellow-gold finish consistent with costume jewelry plating from the mid-20th century. Based on the construction and aesthetic, these earrings likely date to the 1950s or 1960s, a period when ornate filigree and clip-on mechanisms were highly popular. The craftsmanship shows careful attention to the symmetry of the scrolls, though they appear to be cast rather than true spun filigree. The visible condition shows slight dulling of the metal consistent with age-related patina, but there are no obvious missing stones or significant structural damage. No maker's marks are visible from the front view, suggesting they may be unsigned or marked on the reverse clasp.

I have virtually examined this pair of vintage gold-tone filigree clip-on earrings. The items present as classic mid-20th-century costume jewelry, likely originating from the 1950s or 1960s. The aesthetic is characteristic of mass-produced openwork of the period, designed to mimic the appearance of delicate hand-spun wire filigree through a casting process. The green accents appear to be foil-backed glass or rhinestones, which was standard for decorative accessories of this era. The condition appears to be 'Good to Very Good,' showing minor surface oxidation and a softening of the gold plating consistent with light wear. The secondary market for unsigned vintage costume jewelry remains steady but saturated. Comparables for non-designer filigree earrings are frequently found in the $20 to $50 range at antique malls or online marketplaces. The lack of a visible maker’s mark (such as Trifari, Coro, or Miriam Haskell) prevents a higher valuation, as these pieces likely served as affordable 'department store' accessories. The value is driven primarily by the aesthetic appeal for collectors of mid-century fashion. Authenticity as a period piece is supported by the specific clip-on mechanism and the style of the scrolled work. However, authentication from images is limited; I cannot verify the weight, the tension of the clips, or the presence of hallmarks on the reverse side. To confirm a definitive valuation, an in-person inspection is required to check for 'green rot' (verdigris), assess the structural integrity of the solder points, and verify if the signature is truly absent under magnification.