
Mid-Century Abstract Village Mixed Media Painting by Nicola
This is an original mid-century modern mixed media work on canvas board, attributed to the artist 'Nicola' as seen in the prominent fluid signature in the lower right corner. The composition features a stylized, semi-abstracted row of European-style buildings or villas. The color palette is composed of muted earth tones, including umber, ochre, sienna, and off-white, with subtle blue accents in the window areas. The execution demonstrates sophisticated technique, utilizing heavy impasto, scraping, and layered glazes to create a weathered, textural surface. There is evidence of 'grattage' or sgraffito where the artist has etched into the wet paint to create patterns resembling brickwork and architectural details. The piece is housed in a contemporary-styled dark wood tiered frame with a linen liner, which is typical for mid-20th-century decorative fine art. The condition appears fair to good; there is a visible area of surface loss or scraping on the leftmost building (exposing a blue underlayer) which may be intentional to the artist's distressed style or a result of subsequent impact. The linen liner shows minor age-related discoloration but remains structurally sound. The overall aesthetic is representative of the 1960s-1970s era of semi-abstract architectural landscape art, often influenced by the School of Paris.
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Estimated Value
$450 - $700
Basic Information
Category
Fine Art - Paintings
Appraised On
March 7, 2026
Estimated Value
$450 - $700
Item Description
This is an original mid-century modern mixed media work on canvas board, attributed to the artist 'Nicola' as seen in the prominent fluid signature in the lower right corner. The composition features a stylized, semi-abstracted row of European-style buildings or villas. The color palette is composed of muted earth tones, including umber, ochre, sienna, and off-white, with subtle blue accents in the window areas. The execution demonstrates sophisticated technique, utilizing heavy impasto, scraping, and layered glazes to create a weathered, textural surface. There is evidence of 'grattage' or sgraffito where the artist has etched into the wet paint to create patterns resembling brickwork and architectural details. The piece is housed in a contemporary-styled dark wood tiered frame with a linen liner, which is typical for mid-20th-century decorative fine art. The condition appears fair to good; there is a visible area of surface loss or scraping on the leftmost building (exposing a blue underlayer) which may be intentional to the artist's distressed style or a result of subsequent impact. The linen liner shows minor age-related discoloration but remains structurally sound. The overall aesthetic is representative of the 1960s-1970s era of semi-abstract architectural landscape art, often influenced by the School of Paris.
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