
Framed Tibetan Buddhist Thangka Painting of a Red Guardian Deity
This is a large-scale, framed Thangka painting depicting a significant red-skinned deity within the Vajrayana Buddhist tradition, possibly Manjushri in a wrathful form or a similar protector deity. The central figure is presented with multiple arms holding ritual implements, including a raised sword and a khatvanga, standing atop a snow lion and a prostrate figure, signifying the overcoming of ignorance and ego. The composition is highly structured, featuring a large red mandorla (aureole) surrounding the main figure, with smaller manifestations and deities positioned in the corners and along the bottom register. The color palette is dominated by cinnabar reds, deep blues, and golds, characteristic of traditional Himalayan mineral pigments. The brushwork appears very fine, particularly in the detailed icons and the intricate crown and jewelry of the deity. The piece is housed in a modern, professional wooden frame with an off-white mat, which suggests it has been preserved for display in a contemporary setting. While the exact age is difficult to determine through glazing, the clarity of the icons and the vibrancy of the pigments suggest a well-maintained 20th-century piece or a high-quality modern traditional effort. No significant damage like tears or paint loss is visible, though some minor undulations in the canvas or paper substrate can be seen under the glass.
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Estimated Value
$1,200 - $1,800
Basic Information
Category
Himalayan Buddhist Fine Art
Appraised On
February 23, 2026
Estimated Value
$1,200 - $1,800
Item Description
This is a large-scale, framed Thangka painting depicting a significant red-skinned deity within the Vajrayana Buddhist tradition, possibly Manjushri in a wrathful form or a similar protector deity. The central figure is presented with multiple arms holding ritual implements, including a raised sword and a khatvanga, standing atop a snow lion and a prostrate figure, signifying the overcoming of ignorance and ego. The composition is highly structured, featuring a large red mandorla (aureole) surrounding the main figure, with smaller manifestations and deities positioned in the corners and along the bottom register. The color palette is dominated by cinnabar reds, deep blues, and golds, characteristic of traditional Himalayan mineral pigments. The brushwork appears very fine, particularly in the detailed icons and the intricate crown and jewelry of the deity. The piece is housed in a modern, professional wooden frame with an off-white mat, which suggests it has been preserved for display in a contemporary setting. While the exact age is difficult to determine through glazing, the clarity of the icons and the vibrancy of the pigments suggest a well-maintained 20th-century piece or a high-quality modern traditional effort. No significant damage like tears or paint loss is visible, though some minor undulations in the canvas or paper substrate can be seen under the glass.
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