
Mid-Century Oil Landscape of Ouro Preto by Estevao
This is an original oil painting on canvas or board, signed 'Estevao' in the lower left corner. The artwork depicts a colonial-style cityscape, likely Ouro Preto in Brazil, characterized by terracotta tile roofs, arched windows with decorative transoms, and wrought-iron balconies. A prominent black wrought-iron street lamp extends from the top right quadrant, adding a vertical element against a sky filled with soft, white clouds. The color palette focuses on earthy ochre, creams, and terracotta for the architecture, contrasted by the green rolling hills in the background. The style is representative of 20th-century Brazilian regionalism with a touch of naive or modernist influence. The painting is housed in a carved gilt wood frame with a double-beaded border. Notable condition issues include significant loss of the gold leaf finish and chipping on the top rail of the frame, exposing the gesso and base wood underneath. The painting surface appears relatively stable but may require cleaning due to light surface dust. Its aesthetic captures the historic charm of Minas Gerais architecture with expressive, painterly brushwork.
AI-Generated Appraisal Disclaimer
Estimated Value
$450.00 - $700.00
Basic Information
Category
Fine Art - Paintings
Appraised On
February 17, 2026
Estimated Value
$450.00 - $700.00
Additional Details Provided By Owner
User Provided Information
Estevao
Item Description
This is an original oil painting on canvas or board, signed 'Estevao' in the lower left corner. The artwork depicts a colonial-style cityscape, likely Ouro Preto in Brazil, characterized by terracotta tile roofs, arched windows with decorative transoms, and wrought-iron balconies. A prominent black wrought-iron street lamp extends from the top right quadrant, adding a vertical element against a sky filled with soft, white clouds. The color palette focuses on earthy ochre, creams, and terracotta for the architecture, contrasted by the green rolling hills in the background. The style is representative of 20th-century Brazilian regionalism with a touch of naive or modernist influence. The painting is housed in a carved gilt wood frame with a double-beaded border. Notable condition issues include significant loss of the gold leaf finish and chipping on the top rail of the frame, exposing the gesso and base wood underneath. The painting surface appears relatively stable but may require cleaning due to light surface dust. Its aesthetic captures the historic charm of Minas Gerais architecture with expressive, painterly brushwork.
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