
Vintage Stenciled Hitchcock-Style Rocking Chair
This is a wooden rocking chair styled in the tradition of Lambert Hitchcock, likely dating from the mid-20th century Colonial Revival period. The chair features a high, contoured back with a distinctive double-arched top rail, often called a 'rabbit ear' or 'crown' rail. This rail is decorated with a detailed gold-toned floral stencil which acts as the focal point. Below this, four flat vertical slats with tapered spindle ends support the back, while the outer stiles are turned with decorative gold band accents. The arms are wide and scroll-ended, supported by turned spindles. The seat is substantial, crafted from solid wood with a shallow contour for comfort, and includes a fine gold pinstripe border that follows its shape. In terms of condition, the chair shows significant signs of age and use. There is noticeable surface wear across the seat and arms, including loss of the original dark finish, some staining, and potential moisture damage. The gold stenciling and banding exhibit various degrees of fading and abrasion. The construction appears to be mixed hardwoods, potentially maple or birch, finished in a dark mahogany or walnut stain. This piece represents a mass-produced take on Early American craftsmanship, emphasizing functional durability with decorative folk-art motifs.
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Estimated Value
$125-$175
Basic Information
Category
Furniture
Appraised On
December 29, 2025
Estimated Value
$125-$175
Item Description
This is a wooden rocking chair styled in the tradition of Lambert Hitchcock, likely dating from the mid-20th century Colonial Revival period. The chair features a high, contoured back with a distinctive double-arched top rail, often called a 'rabbit ear' or 'crown' rail. This rail is decorated with a detailed gold-toned floral stencil which acts as the focal point. Below this, four flat vertical slats with tapered spindle ends support the back, while the outer stiles are turned with decorative gold band accents. The arms are wide and scroll-ended, supported by turned spindles. The seat is substantial, crafted from solid wood with a shallow contour for comfort, and includes a fine gold pinstripe border that follows its shape. In terms of condition, the chair shows significant signs of age and use. There is noticeable surface wear across the seat and arms, including loss of the original dark finish, some staining, and potential moisture damage. The gold stenciling and banding exhibit various degrees of fading and abrasion. The construction appears to be mixed hardwoods, potentially maple or birch, finished in a dark mahogany or walnut stain. This piece represents a mass-produced take on Early American craftsmanship, emphasizing functional durability with decorative folk-art motifs.
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