Limited Edition Signed Print by Miller Pope: 'Hugo's Fury'

This is a professionally framed and double-matted limited edition print by artist Miller Pope, titled 'Hugo's Fury'. The artwork depicts a powerful coastal scene, specifically the impact of Hurricane Hugo on Charleston's historic Battery district. The composition features wind-swept palmetto trees and violent sea spray crashing against elegant multi-story coastal homes under a dark, turbulent sky. The color palette is dominated by muted blues, greys, and greens, conveying the intensity of the storm. The piece is hand-signed by the artist in the lower right corner and numbered in the lower left, indicating it is part of a limited print run (likely the late 20th century, following the 1989 storm). The print is housed in a dark mahogany-toned wood frame with a traditional profile. It features professional archive-style double matting with a thin blue inner reveal that complements the cool tones of the water, and a wide white outer matting. Condition-wise, the frame shows some minor surface abrasions and nicks on the left vertical rail, and the matting appears clean with no visible foxing or water damage. The paper shows good color retention with no obvious sun-fading, suggesting it has been kept out of direct sunlight.

I have examined the digital representation of Miller Pope's 'Hugo's Fury.' This limited edition print captures a significant historical event—the 1989 landfall of Hurricane Hugo in Charleston. The artist, known for his coastal illustrations, has effectively used a dark palette to convey the storm's intensity. Based on visual inspection, the print shows excellent color retention, suggesting UV-protective glass or placement away from direct sunlight. While the frame exhibits minor abrasions, the archival matting appears stable without evidence of acid burn or foxing. The market for Pope’s work is primarily regional, with highest demand centered in the Carolinas among collectors of maritime and disaster-themed Americana. Historically, his signed limited prints of this size realize between $200 and $500 at auction and gallery sales, depending on the edition number and frame quality. The professional double-matting adds significant decorative value. However, a definitive valuation is limited by the digital nature of this inspection. I cannot confirm the paper’s acidity level, the specific ink type, or the presence of a watermark without physical handling. Full authentication would require removing the backing to inspect for a Certificate of Authenticity (COA), verifying the artist’s signature against known samples from the same period, and inspecting the paper under a loupe to confirm it is a high-quality lithograph rather than a modern digital reproduction. For insurance purposes, I recommend maintaining provenance records regarding its original purchase date post-1989.