
Modernist Opal Inlay and Sterling Silver Pendant
This item is a teardrop or egg-shaped modernist pendant featuring a complex multi-stone inlay. The primary decorative panels consist of a mosaic 'checkerboard' inlay of lab-created or natural white and blue-green fire opals, which exhibit a strong play-of-color. These two mosaic sections are bifurcated by a sweeping S-curved ribbon of polished metal, likely sterling silver based on the visible luster and commonality of this style in Southwestern or contemporary designer jewelry. The pendant is fitted with a large, integrated tapered bale through which a fine-link cable or wheat-link chain is threaded. The construction suggests late 20th-century craftsmanship (circa 1980s-1990s), a period popular for this aesthetic. Regarding condition, the metal surfaces show a notable warm patina and moderate surface oxidation/tarnishing, particularly in the recessed areas where the bale meets the body. There are fine micro-scratches consistent with regular wear. The inlay stones appear intact without significant cracking or missing tesserae, though the edges where the stones meet the metal frame show some slight debris buildup. No visible maker's marks are seen in this view, though they would likely be located on the reverse side.
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Estimated Value
$150 - $250
Basic Information
Category
Fine Jewelry / Necklaces
Appraised On
April 21, 2026
Estimated Value
$150 - $250
Item Description
This item is a teardrop or egg-shaped modernist pendant featuring a complex multi-stone inlay. The primary decorative panels consist of a mosaic 'checkerboard' inlay of lab-created or natural white and blue-green fire opals, which exhibit a strong play-of-color. These two mosaic sections are bifurcated by a sweeping S-curved ribbon of polished metal, likely sterling silver based on the visible luster and commonality of this style in Southwestern or contemporary designer jewelry. The pendant is fitted with a large, integrated tapered bale through which a fine-link cable or wheat-link chain is threaded. The construction suggests late 20th-century craftsmanship (circa 1980s-1990s), a period popular for this aesthetic. Regarding condition, the metal surfaces show a notable warm patina and moderate surface oxidation/tarnishing, particularly in the recessed areas where the bale meets the body. There are fine micro-scratches consistent with regular wear. The inlay stones appear intact without significant cracking or missing tesserae, though the edges where the stones meet the metal frame show some slight debris buildup. No visible maker's marks are seen in this view, though they would likely be located on the reverse side.
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