Mixed-media abstract wall sculpture in the brutalist style

This rectangular wall hanging is an abstract mixed-media work stylistically consistent with the brutalist and mid-century modern movements. The piece features a complex, textured background that appears to be made of resin or a heavily built-up lacquer, finished in tones of amber, gold, and dark umber. A central 'starburst' or 'sun' motif is constructed from numerous thin, splint-like wooden strips radiating from a dark central point. This focal area is encircled by an irregular ring of embedded green glass shards and what appears to be metallic or stone fragments. The surface exhibits a high-gloss finish with various textural inclusions, such as dark crushed glass or minerals and small metal staples or brads. Stylistically, this work is consistent with the tactile, earthy aesthetic popularized by artists like Curtis Jere in the 1960s and 1970s. The edges show some wear, including slight chips at the corners and exposure of the base substrate, which appears to be a composite wood panel. No signature or maker's mark is visible in the provided image; therefore, attribution remains a hypothesis based strictly on visual hallmarks of the mid-20th-century period and the use of industrial materials.

Based on my visual analysis of the provided image, I have examined a mixed-media wall sculpture embodying the Brutalist aesthetic prevalent during the 1960s and 1970s. The work features a complex interplay of industrial and organic materials, including a resin-based lacquer, radiating wooden splints, and embedded glass shards. While the stylistic execution shares commonalities with the tactile, experimental works popularized by studios such as Artisan House or artists like Curtis Jere, no signature is visible. Therefore, I must treat the attribution to any specific mid-century maker as a hypothesis. I cannot verify the specific materials or the stability of the substrate from a photo alone; a physical inspection would be required to assess the structural integrity of the resin and the security of the glass inclusions. The estimated value of $400 to $800 is based on the assumption that this is an unsigned period piece from the mid-20th century. This range reflects current market demand for 'in the style of' Brutalist decor, which remains popular among vintage collectors. If this piece were to be authenticated as a work by a notable designer through provenance or a discovered mark, the value could increase significantly. Conversely, if it is a modern decorative reproduction using lower-quality synthetic materials, the value would likely fall below $150. To reach a more certain conclusion, I would need to perform an in-person examination to check for obscured signatures on the reverse, verify the age of the wooden composite backing, and evaluate the wear patterns. Scientific testing of the resin type and documented provenance would be necessary to confirm the work's exact origins.