
Mid-Century Portrait Study after John Singer Sargent's 'Portrait of Madame X'
This is a vertical oil painting on canvas or board, depicting a woman in profile that is a clear homage to John Singer Sargent's 1884 masterpiece, 'Portrait of Madame X'. The subject is shown wearing a floor-length, dark navy or black evening gown with a sweetheart neckline and thin jeweled straps. Her skin is rendered in pale, luminous tones against a muted, reddish-brown monochromatic background. Beside her stands a round, three-legged tripod table with ornate, twisted legs and gilt accents. The brushwork appears somewhat textured, particularly in the background. A visible signature and date, which appears to read 'MOTTI 1944' or similar, is located in the lower right corner, suggesting this is a mid-20th-century interpretation rather than a contemporary copy. The condition of the piece shows signs of age and distress; there are two prominent vertical lines of paint loss or abrasion on the left side, as well as minor foxing and surface scuffs throughout the composition. The edges appear worn, suggesting it may have been previously framed or stored without protection. The craftsmanship indicates a student or amateur hand with a focus on capturing the iconic silhouette and classical aesthetic of the Gilded Age.
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Estimated Value
$100 - $300
Basic Information
Category
Fine Art - Paintings
Appraised On
March 22, 2026
Estimated Value
$100 - $300
Additional Details Provided By Owner
User Provided Information
Unknown artist, untitled artwork
Item Description
This is a vertical oil painting on canvas or board, depicting a woman in profile that is a clear homage to John Singer Sargent's 1884 masterpiece, 'Portrait of Madame X'. The subject is shown wearing a floor-length, dark navy or black evening gown with a sweetheart neckline and thin jeweled straps. Her skin is rendered in pale, luminous tones against a muted, reddish-brown monochromatic background. Beside her stands a round, three-legged tripod table with ornate, twisted legs and gilt accents. The brushwork appears somewhat textured, particularly in the background. A visible signature and date, which appears to read 'MOTTI 1944' or similar, is located in the lower right corner, suggesting this is a mid-20th-century interpretation rather than a contemporary copy. The condition of the piece shows signs of age and distress; there are two prominent vertical lines of paint loss or abrasion on the left side, as well as minor foxing and surface scuffs throughout the composition. The edges appear worn, suggesting it may have been previously framed or stored without protection. The craftsmanship indicates a student or amateur hand with a focus on capturing the iconic silhouette and classical aesthetic of the Gilded Age.
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