
Vintage 1980s Long-Sleeve Beaded Lace Wedding Dress
This is a floor-length, ivory-colored bridal gown typically associated with the 1980s fashion era. The gown is constructed from a heavy satin-like fabric, possibly polyester or a silk blend, featuring a high, Victorian-style illusion neckline made of sheer mesh and embellished lace. The bodice is heavily decorated with floral lace appliqués, mother-of-pearl colored sequins, and faux-pearl beadwork that extends into an ornate basque waistline with dangling bead fringe. The long sleeves are also made of sheer mesh with lace overlays starting from puffed shoulders and tapering to the wrists. The skirt is a full A-line or ballgown silhouette with a prominent central decorative lace panel mirroring the bodice's motif, ending in a wide, scalloped lace hem. Notable condition issues include visible yellowing or 'patina' on the lace sections compared to the brighter satin, and some minor fraying around the lace edges. The garment's construction indicates mid-range commercial production of the late 20th century. The sheer mesh at the neckline shows slight stretching, which is common for aged synthetic fibers. No visible maker's marks are identifiable from the image, but the style is characteristic of designers like Priscilla of Boston or Mori Lee from the mid-to-late 1980s.
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Estimated Value
$450.00 - $650.00
Basic Information
Category
Vintage Clothing and Apparel
Appraised On
April 8, 2026
Estimated Value
$450.00 - $650.00
Item Description
This is a floor-length, ivory-colored bridal gown typically associated with the 1980s fashion era. The gown is constructed from a heavy satin-like fabric, possibly polyester or a silk blend, featuring a high, Victorian-style illusion neckline made of sheer mesh and embellished lace. The bodice is heavily decorated with floral lace appliqués, mother-of-pearl colored sequins, and faux-pearl beadwork that extends into an ornate basque waistline with dangling bead fringe. The long sleeves are also made of sheer mesh with lace overlays starting from puffed shoulders and tapering to the wrists. The skirt is a full A-line or ballgown silhouette with a prominent central decorative lace panel mirroring the bodice's motif, ending in a wide, scalloped lace hem. Notable condition issues include visible yellowing or 'patina' on the lace sections compared to the brighter satin, and some minor fraying around the lace edges. The garment's construction indicates mid-range commercial production of the late 20th century. The sheer mesh at the neckline shows slight stretching, which is common for aged synthetic fibers. No visible maker's marks are identifiable from the image, but the style is characteristic of designers like Priscilla of Boston or Mori Lee from the mid-to-late 1980s.
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