Neoclassical Reclining Allegorical Figure Sculpture (likely Father Time or a River God)
Fine Art - Sculpture

Neoclassical Reclining Allegorical Figure Sculpture (likely Father Time or a River God)

This is a detailed figurative sculpture depicting a muscular, bearded elderly man in a reclining pose, mounted on a solid rectilinear stone plinth. The figure is likely an allegorical representation of Father Time or a River God, evidenced by the flowing hair, full beard, and the overturned vessel (urn) from which fluid or vegetation appears to pour near his right hand. The sculpture appears to be crafted from cast metal, possibly bronze or spelter, with a complex variegated patina over the surface. The coloration ranges from deep earthy browns and terracottas to oxidized verdigris greens, particularly concentrated on the urn and base elements. Notable features include the detailed anatomical rendering of the brawny upper torso, deeply carved facial features, and the draping of the classical robe over his lower half. The figure holds a staff or scythe handle behind him, suggesting chronological symbolism. The craftsmanship exhibits high-quality nineteenth-century Neoclassical influence. Condition-wise, the piece shows significant signs of age and wear; there is a visible rectangular repair or label mark on the side of the urn, some chipping to the stone base, and surface abrasions that have exposed the underlying metal, especially on the right arm. No maker's marks are immediately visible in this view, though the style suggests a European foundry origin from the mid-to-late 1800s.

Estimated Value

$1,800 - $2,600

Basic Information

Category

Fine Art - Sculpture

Appraised On

February 17, 2026

Estimated Value

$1,800 - $2,600

Item Description

This is a detailed figurative sculpture depicting a muscular, bearded elderly man in a reclining pose, mounted on a solid rectilinear stone plinth. The figure is likely an allegorical representation of Father Time or a River God, evidenced by the flowing hair, full beard, and the overturned vessel (urn) from which fluid or vegetation appears to pour near his right hand. The sculpture appears to be crafted from cast metal, possibly bronze or spelter, with a complex variegated patina over the surface. The coloration ranges from deep earthy browns and terracottas to oxidized verdigris greens, particularly concentrated on the urn and base elements. Notable features include the detailed anatomical rendering of the brawny upper torso, deeply carved facial features, and the draping of the classical robe over his lower half. The figure holds a staff or scythe handle behind him, suggesting chronological symbolism. The craftsmanship exhibits high-quality nineteenth-century Neoclassical influence. Condition-wise, the piece shows significant signs of age and wear; there is a visible rectangular repair or label mark on the side of the urn, some chipping to the stone base, and surface abrasions that have exposed the underlying metal, especially on the right arm. No maker's marks are immediately visible in this view, though the style suggests a European foundry origin from the mid-to-late 1800s.

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