White Glazed Porcelain Figurine of a Woman Riding a Guardian Lion (Shishi)
Asian Art and Ceramics

White Glazed Porcelain Figurine of a Woman Riding a Guardian Lion (Shishi)

This is a monochrome white porcelain figurine depicting a graceful female figure, possibly a deity or auspicious character, seated atop a stylized guardian lion, often referred to as a Shishi or Foo Dog. The piece is characterized by its lustrous, creamy white glaze, suggestive of Dehua porcelain ('Blanc de Chine') or a similar high-fired stoneware. The woman is dressed in traditional flowing robes with wide sleeves, her hair styled in a high, intricate buns. One arm is raised in a flowing gesture while the other holds a slender object, potentially a flute or scroll. The lion below features classic mythological attributes: curly fur mane, bulging eyes, and a wide, open-mouthed expression showing teeth. The construction involves intricate molding and manual finishing, visible in the delicate definition of the facial features and the folds of the garments. Regarding condition, the glaze appears largely intact with a high gloss, though there are minor dark specks and slight yellowing in crevices that may indicate aged dust or minor firing imperfections. No significant cracks or chips are immediately visible in the primary structure, though the base edges and extremities would require tactile inspection for small 'flea bites.' This style is reminiscent of 20th-century reproductions of Qing dynasty porcelain, showcasing a blend of traditional religious iconography and decorative craft. The craftsmanship is of mid-to-high quality, with fluid lines that convey movement in the drapery.

Estimated Value

$450 - $700

Basic Information

Category

Asian Art and Ceramics

Appraised On

March 7, 2026

Estimated Value

$450 - $700

Item Description

This is a monochrome white porcelain figurine depicting a graceful female figure, possibly a deity or auspicious character, seated atop a stylized guardian lion, often referred to as a Shishi or Foo Dog. The piece is characterized by its lustrous, creamy white glaze, suggestive of Dehua porcelain ('Blanc de Chine') or a similar high-fired stoneware. The woman is dressed in traditional flowing robes with wide sleeves, her hair styled in a high, intricate buns. One arm is raised in a flowing gesture while the other holds a slender object, potentially a flute or scroll. The lion below features classic mythological attributes: curly fur mane, bulging eyes, and a wide, open-mouthed expression showing teeth. The construction involves intricate molding and manual finishing, visible in the delicate definition of the facial features and the folds of the garments. Regarding condition, the glaze appears largely intact with a high gloss, though there are minor dark specks and slight yellowing in crevices that may indicate aged dust or minor firing imperfections. No significant cracks or chips are immediately visible in the primary structure, though the base edges and extremities would require tactile inspection for small 'flea bites.' This style is reminiscent of 20th-century reproductions of Qing dynasty porcelain, showcasing a blend of traditional religious iconography and decorative craft. The craftsmanship is of mid-to-high quality, with fluid lines that convey movement in the drapery.

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