Stemware in the Art Deco style, possibly Lalique 'Caudebec'

This item is a clear glass stemware piece featuring a conical or V-shaped bowl supported by a short stem and a broad, flat circular base. The base is decorated with a distinct textured 'caviar' or beaded pattern consisting of concentric circles of small raised bosses, which is stylistically consistent with the 'Caudebec' pattern attributed to Rene Lalique. The owner identifies this as part of a 1935 Lalique set including 36 glasses and 2 carafes; however, these claims are unverified as no signature or acid-etched mark is legible in the photograph. The glass appears to have high clarity, suggesting quality crystal or fine glass construction. The bowl transitions smoothly into a narrow base before meeting the textured foot. Several similar glasses are visible in the background, some inverted, showing the repetition of the textured base design. The condition appears good from the image, with no visible chips or cracks, though a physical inspection would be required to rule out flea bites or internal clouding. The design is highly representative of the mid-1930s Art Deco aesthetic, characterized by geometric forms and structured ornamentation.

Based on the provided image, I have examined this stemware piece featuring a conical bowl and a textured 'caviar' base. The owner identifies this as part of a 1935 Lalique set comprising 36 glasses and two carafes. Stylistically, the design is highly consistent with the 'Caudebec' pattern attributed to Rene Lalique. However, without a legible acid-etched mark or signature visible in the photograph, I must treat this attribution as a hypothesis. My estimate assumes the owner's claim regarding the set's size and origin is correct. For a 38-piece set of this vintage and maker, the market value typically falls between $6,000 and $8,500, as Art Deco glassware of this caliber remains in high demand among collectors. Since I cannot verify the material's lead content or the presence of microscopic wear characteristic of 1930s crystal from a photo, a physical inspection is required to rule out modern reproductions. If the set were found to be 'in the style of' Lalique rather than produced by the maker, the value would likely drop significantly to the $600 - $1,200 range for the entire collection. To support the higher valuation, one would need to provide provenance documentation or have an expert perform an in-person examination of the glass clarity and base markings. The current estimate reflects the hypothetical value of a complete, matching set in good condition, but remains subject to professional authentication of the maker's marks and glass quality.