“Coco Chanel -n- Haculla: Arch of Triumph Paris 1965” Mixed Media Print

This is a contemporary mixed-media work on white paper, featuring a black-and-white photographic base of Coco Chanel seated in the back of a vehicle. The piece is heavily augmented with street-art style illustrations and typography. Across the top, the name 'HACULLA' is rendered in a black-and-white 'dripping' or melting font aesthetic typical of urban graffiti culture. To the left of Coco Chanel, a hand-drawn figure in a punk-rock style is rendered in black ink, shown wearing sunglasses, numerous pins/badges, and extending its middle finger. The bottom of the piece features large, gestural cursive script reading 'Coco Chanel -n- Haculla' above the printed text '- ARCH OF TRIUMPH PARIS 1965 -'. The work is signed in the bottom right corner with a stylized purple ink signature that appears to read 'Harif' or 'Haculla' (consistent with contemporary artist Harif Guzman). The paper shows minor undulations and horizontal creasing, suggesting it may have been rolled or handled. The contrast is high, with a photocopy or silk-screened appearance. While the text references 1965, the artistic style (Haculla) is contemporary streetwear-inspired art from the late 20th to 21st century, making this a modern homage rather than an original vintage 1960s advertisement.

I have conducted a visual examination of the mixed-media work titled 'Coco Chanel -n- Haculla: Arch of Triumph Paris 1965.' The piece is a contemporary homage, blending mid-century fashion photography with the 'street-goth' aesthetic of Harif Guzman (Haculla). The high-contrast, xerographic quality of the print, paired with the stylized 'dripping' typography and punk-rock iconography, aligns with the artist's known body of work produced in the early 21st century. The condition appears fair to good; however, visible horizontal creasing and undulations suggest the paper has been improperly stored or rolled, which slightly diminishes the retail value. The market for Harif Guzman is driven largely by his influence in streetwear and urban lifestyle brands. While his original canvases can command several thousands, limited edition prints and mixed-media works on paper generally trade between $300 and $1,200 depending on the edition size and signature clarity. The rarity of this specific composition is moderate, as it targets a niche crossover between high-fashion enthusiasts and street-art collectors. Critically, a definitive appraisal is limited by the digital nature of this inspection. I cannot verify paper weight, ink saturation, or the presence of a watermark. The signature in the lower right, while stylistically consistent with Guzman's, requires physical inspection to confirm it is hand-applied rather than part of the print matrix. For full authentication, a Certificate of Authenticity (COA) from the artist's studio or provenance from a reputable gallery is required. Without such documentation, the value remains at the lower end of the speculative range.