AI identification & appraisal estimate

Framed print bearing a signature reading 'Miro' (not authenticated)

Submitted photo of Framed print bearing a signature reading 'Miro' (not authenticated)
Photo submitted by the user — not generated by AI

User's notes

A framed lithograph signed “Miro”, dated in ink 076/200. Offical seal is embossed on the lower left corner. The title of this work is printed in the bottom center; “Maternita-1924, Londra, colllezione Roland Penrose.

These notes were written by the person who submitted this item. Appraiser.AI has not verified them, and the AI's identification and estimate may rely on them.

AI Estimated Value

Not an official valuation

$1,500-$3,000

AI estimate as of November 6, 2026 · verify with a professional before acting

AI-Generated · Verify before acting

Everything on this page is generated by AI for informational purposes only. AI can make mistakes — the AI may misidentify items or misattribute them (artist, maker, brand, designer, origin, era). This is not an official valuation and should not be used for insurance, sale, tax, estate, legal, or lending purposes — or any decision requiring a certified appraisal. It is not an authoritative claim about any person, brand, or rights holder — do not share or rely on it as a factual statement about a third party. Always consult qualified professionals before making financial decisions.

This analysis also relies on unverified notes provided by the user, which may be incomplete or inaccurate and could affect the result.

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AI Item Analysis

This framed print presents a surrealist composition characterized by biomorphic shapes, delicate lines, and abstract floating elements against a mottled grey and beige background, echoing the distinct visual vocabulary of Joan Miro. The artwork is presented under a blue mat within a custom wooden frame featuring a heavily decorated, multi-colored splatter-paint or drip finish in hues of white, red, blue, and yellow over a dark metallic-toned base. In the lower right corner of the print, there is a visible handwritten signature reading 'Miró.' accompanied by a period. In the lower left corner, an embossed circular stamp or seal is partially visible with text that appears to read 'ORIGINAL GALLERY SEAL' along the perimeter. Handwritten in ink in the lower margin is an edition number or notation reading '016/200'. Centered along the bottom margin is printed text reading 'MATERNITÀ - 1924. LONDRA, COLLEZIONE ROLAND PENROSE.' The owner user-attributes the piece to Joan Miro, a claim that remains completely unauthenticated and unverified in this context, given the high frequency of reproductions and imitations associated with blue-chip modern artists. The physical condition appears generally clean and well-preserved within its modern decorative framing, showing no obvious tears, creases, or fading on the visible paper surface, though the back and interior cannot be inspected. The attribution in the item name rests solely on the visible signature and the stylistic elements present in the print, without asserting authenticity.

AI Appraisal Report

Based on what I can see in the provided image, this framed print presents a surrealist composition bearing a signature reading 'Miró' along with an edition notation of '016/200' and text indicating the work 'MATERNITÀ - 1924'. Per user submission, the owner attributes the piece to Joan Miró, and the valuation estimate assumes this working hypothesis is correct for the purpose of this analysis. I cannot verify from a photo whether the signature, numbering, or embossed gallery seal are autograph or contemporary additions, as I am relying solely on visual evidence. Based on general market behavior for limited edition mid-century prints associated with major surrealist artists, a work of this type with correct attribution typically trades within the $1,500 to $3,000 range, depending heavily on condition, provenance, and the specific printing technique employed. However, because this piece lacks formal verification, the valuation is entirely conditional. If physical inspection reveals the item to be a modern commercial reproduction, a decorative poster, or an unassociated copy rather than a period-correct print, the value would decrease substantially to the $50-$150 range, reflecting only its decorative framing. To move beyond a working hypothesis, one would need physical in-person examination by a paper conservator, thorough provenance documentation, and evaluation by a recognized cataloguer or authentication board specializing in the artist's graphic works.

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