
Nancy Wickham Studio Pottery Weed Pot
This is an original studio pottery weed pot created by the American ceramic artist Nancy Wickham (Boyd), dated to 1969. The vessel features an organic, bulbous form typical of the mid-century modern 'weed pot' aesthetic, designed to hold a single dried stem. The piece is constructed from stoneware and exhibits a sophisticated multi-tonal glaze. The upper portion displays a dark, possibly metallic or deep brown glaze that transitions via a drip effect into a lighter, creamy celadon or pale green base. Notable stylistic elements include vertical incised lines or textural 'chatter' marks around the circumference of the body, which provide a rhythmic, tactile quality characteristic of Wickham’s hand-thrown technique. Based on the provided context, the piece is signed 'Nancy Wickham 69' on the underside. The glaze appears to be in good condition with a soft semi-gloss finish, showing no immediate signs of large cracks or structural repairs, though it possesses the earthy, irregular charm inherent to studio ceramics of the late 1960s. The proportions suggest a small, tabletop scale suitable for display as a singular art object.
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Estimated Value
$450 - $650
Basic Information
Category
Mid-Century Modern Studio Ceramics
Appraised On
March 10, 2026
Estimated Value
$450 - $650
Additional Details Provided By Owner
User Provided Information
weedpot signed Nancy wickham 69
Item Description
This is an original studio pottery weed pot created by the American ceramic artist Nancy Wickham (Boyd), dated to 1969. The vessel features an organic, bulbous form typical of the mid-century modern 'weed pot' aesthetic, designed to hold a single dried stem. The piece is constructed from stoneware and exhibits a sophisticated multi-tonal glaze. The upper portion displays a dark, possibly metallic or deep brown glaze that transitions via a drip effect into a lighter, creamy celadon or pale green base. Notable stylistic elements include vertical incised lines or textural 'chatter' marks around the circumference of the body, which provide a rhythmic, tactile quality characteristic of Wickham’s hand-thrown technique. Based on the provided context, the piece is signed 'Nancy Wickham 69' on the underside. The glaze appears to be in good condition with a soft semi-gloss finish, showing no immediate signs of large cracks or structural repairs, though it possesses the earthy, irregular charm inherent to studio ceramics of the late 1960s. The proportions suggest a small, tabletop scale suitable for display as a singular art object.
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