
Veduta framed print of 'The Grand Canal at the Church of San Stae, Venice' after Canaletto
This is a framed art print depicting a classic Venetian cityscape (Veduta), likely based on a composition from the 18th-century master Giovanni Antonio Canal, commonly known as Canaletto. The scene showcases the Grand Canal with several gondolas and figures in the water, flanked by prominent architecture including the Church of San Stae with its distinctive dome in the mid-ground. The artwork is presented in a rectangular format, housed within a deep, dark-toned (likely ebony or dark-stained wood) frame with a beaded or dentil-style inner trim and a stepped outer profile. The print is mounted with a wide, off-white or light beige mat that features a debossed or 'plate mark' style indentation around the image periphery, suggesting an attempt to mimic an intaglio print process. Construction appears to be machine-framed with glass protection. The overall color palette is dominated by muted blues, warm ochres for the buildings, and soft pinks/oranges in the sky, characteristic of a faded or late 20th-century reproduction. Visible condition issues include significant light reflections on the glass, noticeable foxing (small brown spots) scattered across the matting paper, and some chipping or wear to the black finish on the frame's bottom edge. The craftsman style suggests a mass-produced decorative piece from the mid-to-late 20th century designed for household decor rather than a fine arts collector's market.
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Estimated Value
$45 - $85
Basic Information
Category
Fine Art - Framed Prints & Reproductions
Appraised On
December 29, 2025
Estimated Value
$45 - $85
Item Description
This is a framed art print depicting a classic Venetian cityscape (Veduta), likely based on a composition from the 18th-century master Giovanni Antonio Canal, commonly known as Canaletto. The scene showcases the Grand Canal with several gondolas and figures in the water, flanked by prominent architecture including the Church of San Stae with its distinctive dome in the mid-ground. The artwork is presented in a rectangular format, housed within a deep, dark-toned (likely ebony or dark-stained wood) frame with a beaded or dentil-style inner trim and a stepped outer profile. The print is mounted with a wide, off-white or light beige mat that features a debossed or 'plate mark' style indentation around the image periphery, suggesting an attempt to mimic an intaglio print process. Construction appears to be machine-framed with glass protection. The overall color palette is dominated by muted blues, warm ochres for the buildings, and soft pinks/oranges in the sky, characteristic of a faded or late 20th-century reproduction. Visible condition issues include significant light reflections on the glass, noticeable foxing (small brown spots) scattered across the matting paper, and some chipping or wear to the black finish on the frame's bottom edge. The craftsman style suggests a mass-produced decorative piece from the mid-to-late 20th century designed for household decor rather than a fine arts collector's market.
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