
Modern Japanese-Style Framed Etching of Tall Grasses
This item is a framed fine art print, likely an etching or a woodblock print, executed in a style reminiscent of Asian minimalist ink wash paintings. The composition features rhythmic, calligraphic black lines depicting tall grasses or reeds that dominate the lower portion of the image and reach upward against a pale, neutral background. A notable feature is the inclusion of small red seals or characters on the lower right, which appear to function as an artist's signature or chop mark, adding a traditional aesthetic. The artwork is housed within a complex presentation: it features an inner beige border, followed by a dark frame, a white matting, and finally an outer black frame, which suggests a mid-to-late 20th-century professional framing job. The condition appears stable, though there are visible reflections on the glass and the low resolution of the image makes it difficult to assess fine paper foxing or ink fading. The craftsmanship is evident in the confident line work and the balanced use of negative space. The style period is likely contemporary, drawing inspiration from classical Shou Dao or Sumi-e traditions but presented for a modern decorative market.
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Estimated Value
$450 - $700
Basic Information
Category
Fine Art - Prints & Drawings
Appraised On
February 17, 2026
Estimated Value
$450 - $700
Item Description
This item is a framed fine art print, likely an etching or a woodblock print, executed in a style reminiscent of Asian minimalist ink wash paintings. The composition features rhythmic, calligraphic black lines depicting tall grasses or reeds that dominate the lower portion of the image and reach upward against a pale, neutral background. A notable feature is the inclusion of small red seals or characters on the lower right, which appear to function as an artist's signature or chop mark, adding a traditional aesthetic. The artwork is housed within a complex presentation: it features an inner beige border, followed by a dark frame, a white matting, and finally an outer black frame, which suggests a mid-to-late 20th-century professional framing job. The condition appears stable, though there are visible reflections on the glass and the low resolution of the image makes it difficult to assess fine paper foxing or ink fading. The craftsmanship is evident in the confident line work and the balanced use of negative space. The style period is likely contemporary, drawing inspiration from classical Shou Dao or Sumi-e traditions but presented for a modern decorative market.
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