Thai-style mythological narrative painting

This framed artwork appears to be a Thai narrative painting, possibly a flat-color print or temple-style painting on paper or cloth, depicting scenes consistent with the Ramakien (the Thai version of the Ramayana). The central figures feature stylized mythological characters: a green-skinned figure, stylistically consistent with the giant king Tosakanth (Ravana), riding in a chariot pulled by a mythical creature, and a blue-skinned figure below. The artwork is characterized by intricate, decorative patterns (Lai Thai) and vibrant colors including green, blue, red, gold, and white against a black background. The poses and ornate headdresses are typical of Thai traditional theater and art. The piece is housed in a simple gold-toned metal or plastic frame with a black mat. From the photograph, the surface appears flat, suggesting a mid-to-late 20th-century production intended for the decorative or souvenir market rather than an ancient temple relic. There are no visible signatures, dates, or maker's marks, so the identification is based solely on stylistic elements. The condition appears fair, with the frame showing minor shelf wear.

I have evaluated the provided image of a Thai narrative painting depicting characters likely associated with the Ramakien. The piece features a central green-skinned figure, consistent with depictions of the giant king Tosakanth, rendered in a traditional Thai decorative style with intricate patterns. Based on what I can see, the flatness of the application and the framing materials suggest this is a mid-to-late 20th-century decorative work or a high-quality souvenir print rather than a hand-painted temple antiquity. I cannot verify from a photo whether this is a screen print on textile or a meticulous hand-painted work on paper, as I would need a physical inspection to confirm the texture and layering of the pigments. The value is based on the assumption that this is a decorative piece in the style of traditional Thai mythological art. In the current secondary market, demand for such items is generally stable among collectors of Southeast Asian decorative arts, though they typically sell in the modest range assigned. This estimate assumes the item is a well-rendered decorative piece; if it were found to be a contemporary mass-produced reproduction or a commercial poster, the value would likely drop below $40.00. Conversely, if an in-person examination revealed it to be a hand-painted work by a recognized artisan with verifiable provenance, the value could increase significantly. To reach a more accurate determination of value and origin, an in-person examination by a specialist in Southeast Asian textiles or fine art would be necessary to assess the substrate and pigment application techniques.