
Abstract Reclining Nude Female Marble Sculpture
This item is an abstract, organic figurative sculpture carved from a high-quality white marble, likely Carrara or a similar fine-grained stone. The piece depicts a stylized or reclining female form, characterized by soft, rounded contours and flowing, curvilinear lines that emphasize the sensual nature of the medium. The stone's color is a creamy white with subtle natural veining that follows the curves of the carving, adding depth to the anatomical abstraction. The surface appears to have been polished to a smooth, matte or satin finish, providing a soft tactile quality typical of mid-20th-century modernism. The sculpture exemplifies a biomorphic style reminiscent of the works of Henry Moore or Jean Arp, focusing on the interplay between form and void. While the low-resolution image obscures specific maker's marks, the craftsmanship suggests a professionally trained sculptor with a deep understanding of negative space and balance. There are no immediate signs of major structural fractures, though a light natural patina is visible, and minor surface abrasions consistent with age and display on a wooden pedestal can be inferred. The piece likely dates from the 1950s to the 1970s and represents a period of intense exploration in semi-abstract stone carving.
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Estimated Value
$4,500 - $6,500
Basic Information
Category
Fine Art - Sculpture
Appraised On
March 12, 2026
Estimated Value
$4,500 - $6,500
Additional Details Provided By Owner
User Provided Information
marbre
Item Description
This item is an abstract, organic figurative sculpture carved from a high-quality white marble, likely Carrara or a similar fine-grained stone. The piece depicts a stylized or reclining female form, characterized by soft, rounded contours and flowing, curvilinear lines that emphasize the sensual nature of the medium. The stone's color is a creamy white with subtle natural veining that follows the curves of the carving, adding depth to the anatomical abstraction. The surface appears to have been polished to a smooth, matte or satin finish, providing a soft tactile quality typical of mid-20th-century modernism. The sculpture exemplifies a biomorphic style reminiscent of the works of Henry Moore or Jean Arp, focusing on the interplay between form and void. While the low-resolution image obscures specific maker's marks, the craftsmanship suggests a professionally trained sculptor with a deep understanding of negative space and balance. There are no immediate signs of major structural fractures, though a light natural patina is visible, and minor surface abrasions consistent with age and display on a wooden pedestal can be inferred. The piece likely dates from the 1950s to the 1970s and represents a period of intense exploration in semi-abstract stone carving.
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