Abstract Reclining Nude Female Marble Sculpture
Fine Art - Sculpture

Abstract Reclining Nude Female Marble Sculpture

This item is an abstract, organic figurative sculpture carved from a high-quality white marble, likely Carrara or a similar fine-grained stone. The piece depicts a stylized or reclining female form, characterized by soft, rounded contours and flowing, curvilinear lines that emphasize the sensual nature of the medium. The stone's color is a creamy white with subtle natural veining that follows the curves of the carving, adding depth to the anatomical abstraction. The surface appears to have been polished to a smooth, matte or satin finish, providing a soft tactile quality typical of mid-20th-century modernism. The sculpture exemplifies a biomorphic style reminiscent of the works of Henry Moore or Jean Arp, focusing on the interplay between form and void. While the low-resolution image obscures specific maker's marks, the craftsmanship suggests a professionally trained sculptor with a deep understanding of negative space and balance. There are no immediate signs of major structural fractures, though a light natural patina is visible, and minor surface abrasions consistent with age and display on a wooden pedestal can be inferred. The piece likely dates from the 1950s to the 1970s and represents a period of intense exploration in semi-abstract stone carving.

Estimated Value

$4,500 - $6,500

Basic Information

Category

Fine Art - Sculpture

Appraised On

March 12, 2026

Estimated Value

$4,500 - $6,500

Additional Details Provided By Owner

User Provided Information

marbre

Item Description

This item is an abstract, organic figurative sculpture carved from a high-quality white marble, likely Carrara or a similar fine-grained stone. The piece depicts a stylized or reclining female form, characterized by soft, rounded contours and flowing, curvilinear lines that emphasize the sensual nature of the medium. The stone's color is a creamy white with subtle natural veining that follows the curves of the carving, adding depth to the anatomical abstraction. The surface appears to have been polished to a smooth, matte or satin finish, providing a soft tactile quality typical of mid-20th-century modernism. The sculpture exemplifies a biomorphic style reminiscent of the works of Henry Moore or Jean Arp, focusing on the interplay between form and void. While the low-resolution image obscures specific maker's marks, the craftsmanship suggests a professionally trained sculptor with a deep understanding of negative space and balance. There are no immediate signs of major structural fractures, though a light natural patina is visible, and minor surface abrasions consistent with age and display on a wooden pedestal can be inferred. The piece likely dates from the 1950s to the 1970s and represents a period of intense exploration in semi-abstract stone carving.

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