
Abstract Geometric Copper Owl Pendant
This is a vintage modernist-style pendant, appearing to be crafted from solid copper or a copper-alloy. The piece features a stylized, abstract owl motif characteristic of Mid-Century Modern or Brutalist design aesthetics, likely dating from the 1960s to 1970s. The construction consists of several geometric elements soldered together: two prominent flat circular discs representing eyes, a teardrop-shaped frame forming the brow and head, and a larger circular ring at the base representing the body. The color is a warm, deep rose-gold typical of aged copper, with visible surface oxidation and a darkened patina in the recessed areas where the components meet. There is a simple vertical loop (bail) soldered to the top for suspension on a chain. The craftsmanship shows evidence of hand-assembly, particularly in the slight asymmetry of the solder joints. Surface-level wear includes minor scuffs, light scratches, and pitting consistent with its age and use. No visible maker's marks or signatures are apparent from the front view, which is common for artist-made studio jewelry of this period. The item possesses a minimalist, heavy quality typical of the Arts and Crafts revival movement.
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Estimated Value
$45.00 - $75.00
Basic Information
Category
Vintage Jewelry / Modernist Copper Accessories
Appraised On
March 31, 2026
Estimated Value
$45.00 - $75.00
Item Description
This is a vintage modernist-style pendant, appearing to be crafted from solid copper or a copper-alloy. The piece features a stylized, abstract owl motif characteristic of Mid-Century Modern or Brutalist design aesthetics, likely dating from the 1960s to 1970s. The construction consists of several geometric elements soldered together: two prominent flat circular discs representing eyes, a teardrop-shaped frame forming the brow and head, and a larger circular ring at the base representing the body. The color is a warm, deep rose-gold typical of aged copper, with visible surface oxidation and a darkened patina in the recessed areas where the components meet. There is a simple vertical loop (bail) soldered to the top for suspension on a chain. The craftsmanship shows evidence of hand-assembly, particularly in the slight asymmetry of the solder joints. Surface-level wear includes minor scuffs, light scratches, and pitting consistent with its age and use. No visible maker's marks or signatures are apparent from the front view, which is common for artist-made studio jewelry of this period. The item possesses a minimalist, heavy quality typical of the Arts and Crafts revival movement.
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